Why It Pays to Prep For Writing a Novel (A Love Letter)

I am not big on preparation. I am more of a jump-right-into-whatever-I’m-doing kind of gal. I never read instructional manuals, instead preferring to just start pushing buttons and see what happens. I glance at recipes and often halfway through realize I’m missing crucial ingredients.  And, much to the consternation of my husband, I rarely follow maps.

Yet when it comes to writing, the best experiences I’ve ever had banging out a novel came when I had spent lots of time preparing ahead of time before I got to the actual writing. (And I’ve taught prepping for the novel numerous times.) But the last couple of novels I’ve written fell into the category of brilliant ideas that came to me like a lightning bolt from the blue, which meant that I was so eager to get to them that I just launched right in.

And so I did. With varying results. I wouldn’t say the first drafts were terrible, but in both cases they had some pretty big plot holes and character issues.  Which then required serious revision in the next go-round. And I’ll be honest, sometimes dealing with big issues in a rewrite is hard, hard work.

The rewrite I’m working on right now is…hmm….the second? Third? for my agent (I’m truly blessed that she is willing to work with me until I’ve gotten it right). And only recently, after much pondering, note-taking, and hair-pulling-out, have I gotten to the point where I understand some basic things. Like my main character’s motivation. And her flaws. What she truly wants, not just what she says she wants. Her love interest’s character arc. And so on.

And so, I am here to tell urge you to do some prep work for your novel, for freaking God’s sake. You will be so much happier when you launch into the fun of rough draft writing because you will have some idea of what is going on.

You might like to know, at bare minimum:

A lot about your characters. Use a character dossier, or try out The Story Planner, which has a ton of different ways to suss out a character, and nail the externals first. Then proceed to the internal—desires, motivation, flaws, etc. For my money, it all hinges on the characters. You can never do too much prep work on characters. Figure out as much about them as you possibly can, I say!

The setting. Get a good idea of the basic locations you’ll be using before you start. (You can add on as you go.) Where does your character live? Work? Hang out? Doe she live in the country or the city? How does this affect the story?

The plot. I like to work from a loose list that can be added to or rearranged. And lately, I’ve fallen in love with using index cards, which can easily be shuffled and changed up. It really is helpful to have some idea where you’re going.

Writing a novel is a back and forth process. You do some scene writing and then realize you need to know stuff, so back you go to your character dossiers and your plot list. And then you get ideas for scenes so you return to the writing. That’s the nature of the beast. But I strongly advise you to do as much prep work as you possibly can before you lunge into it.  The next novel I start is going to be supported by as much prep work as I can possibly do.

And I might even start using maps once in a while. Or reading all the way through a recipe before I begin cooking. Or read instruction manuals. Nah, can’t really see that happening.

Are you a prepared type of person or more like me? How does this affect your writing?

And if you are struggling with any aspect of writing a novel, from prep to rewriting, I do have a couple of openings on my coaching roster.  Pop me an email and let’s talk!

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