Archive | Novel Writing

Corralling Your Writing Ideas

writing organization, corral ideas, novel writing, mapping the novel, productivity

writing organization, corral ideas, novel writing, mapping the novel, productivity

If you’re anything like me, the beginning of writing a book is a messy affair.  You’ve taken notes like crazy, and they might be anywhere and everywhere. You’ve got nuggets about character buried deep inside a Moleskine, and the best ideas ever for a plot–if only you could find them. I’m all for this chaos at the start, but there comes a time when one must get organized or risk not going any farther.  You need a way to corral all your supporting information.

So how do you corral your notes into a usable outline, or list, or something you can follow while writing a book?  Amazingly enough, I have ideas for you. But first,  let me be clear here, I am not a paragon of organization, far from it. I’ve just learned the hard way I need to get my notes together one way or another, or I’ll never write the novel.  (Also, there’s that productivity thing I wrote about a couple posts back–a person who feels in control is much more motivated to accomplish things.)

Before I share some of the methods for organizing I’ve discovered, first, a note–it does help if you take all your notes in one place.  (No, duh.) I’ve got a giant legal pad I’ve been scribbling ideas in and I number the pages and sometimes often remember to annotate on the margins to make it easier to go back and find things.  You might choose a Moleskine, or a humble spiral. I’ve used them all, depending on my mood.  Okay, ways to organize thyself:

  1. Mini binders. I love these little guys. Okay, I’ve gone off the deep end for them. I use them  for corralling everything from novel notes to ideas for workshops to my day to day life.  Often an index card seems too small, or a regular binder, too big–too much information on one page, ack! But as Goldilocks said, the mini binder size is just right. Also, I can make sections–sections, people!–for plot, setting, character, brilliant ideas, etc.
  2. Index cards. You, however, might like something smaller, and in that case you might want to try index cards, which do come in two sizes. Beloved of screenwriters, these babies make it easy to put one scene per cards, or one character trait per card, or whatever  you would like. There are tons of nifty little containers to put them in, and you can take them out and play with them. You can move scenes around, pin them up in different configurations, whatever  your little heart desires.
  3. Scrivener. I am not a Scrivener zealot devotee, though I respect those of you who are. I do, however, love the idea that you can use index cards on the computer through this program. And there’s lots of other cool stuff as well. I just don’t have the patience to learn it.
  4. Powerpoint.  If you like the idea of corralling ideas on index card, but insist on doing everything on the computer and don’t want to learn Scrivener, try Powerpoint.   You most likely have it on your computer, and it is easy to work with and very visual seeing as how it is a program to create presentations.  Each slide equals a card and there’s enough flexibility to create sets of cards for plot and character or whatever you need. I’ve only just begun to explore the possibilities here.
  5. Regular binder. You know, the 8.5 by 11 standard size we used as school children. I do love me a good binder, which always feels so rich with possibility, but as stated above, the pages get a bit overwhelming for me. They do have the advantage of holding lots of info.
  6. Word document.  Nothing fancy, nothing special, just the file most of us use every day for our writing. No reason you can’t put all your supporting info for your story in a Word doc. That’s what I did for Emma Jean.
  7. OneNote or EverNote.  Choose your poison from these online organizing tools. Both have advantages like accessibility across a broad number of platforms. I prefer OneNote for its simplicity but many writers love EverNote. It’s up to you.

So those are my recommendations. What do you use?  Please do share.

Oh and by the way, I’ll be talking about stuff like this at my three-day Mapping the Novel workshop, to be held in June on the glorious Oregon coast.  Check it out here.

6

The Virtues of Finishing a Writing Project

stop_symbol_plate_238801_lSo, I’m four scenes away from finishing the most terrible Shitty First Draft ever, in the history of man, written.  I started this novel on a sunny afternoon in Collioure last September when I got a sudden inspiration.  I’ve been working steadily on it since then, taking pretty much the whole months of December and February off to deal with more pressing tasks.

The big news about this draft is that it is so bad I nearly abandoned it. I even wrote a blog post about it.  I felt I’d made so many changes in the book that it wasn’t worth it to continue, that I should just start over.

But then I started thinking. As one does.

And I remembered various bits of advice and quotes I’d read.  Like these:

“Finish your novel, because you learn more that way than any other.” James Scott Bell

“Whatever it takes to finish things, finish.  You will learn more from a glorious failure than you ever will from something you never finished.” Neil Gaiman

And then there are Robert Heinlein’s Rules for Writing, the first two of which are apropos to our topic here:

  1. You must write
  2. You must finish what you write.

I felt bad about the prospect of abandoning my poor crappy baby. A baby born in France, no less.  So once I finished the rewrite on my macaron novel, I heaved a heavy, tortured sigh and went back to the horrible WIP, telling myself to just hit the high spots and get something, anything, on the page.

And that’s what I’ve been doing every morning.  I got the idea for this post a couple of days ago.  Back when I was actually enjoying working on the novel for a brief, lovely period.  That was short-lived. This morning I gritted my teeth as I typed every word. (The fact that I had to do a blood draw and COULD NOT HAVE COFFEE until after it may have had some influence.)

But, I will say this.  As the above quotes say, I am learning a lot from busting through to the end.  Ruby, my main character, is finally starting to have a bit of a voice, and I understand her a lot better. Other characters are coming into sharper focus as are overall themes.

Despite the awful writing session this morning, I’m feeling pretty cheerful about it all. Because this afternoon, as penance for not writing a full 2K words, or anything even close to it, I sat down with legal pad and pen to see if I could figure out how much farther I had to go.  And that’s when I realized I had only four more scenes.

Four scenes, people.

I can do this.

And I will be a better person for it. More to the point, my writing will be better as well.

There will be wine at the end. Lots of it. Just saying.

 

Okay, so dish: have you ever abandoned a project?

Photo by brokenarts.

8

Working Your Genre to Improve Your Writing

annabench-shakespeare-paris-1147326-hBack in my early writing days, genre was a dirty word.  “Oh, she writes genre romances,” someone would sniff.  Or, “Well, you know, it’s just a genre mystery.”

My, how things have changed.

Though not everyone apparently approves or even wants to admit it, the lines between genres (or more to the point, between genre and mainstream) are blurring.  Agent Donald Maass wrote a book  about this a few years ago.  Time magazine has covered the genre bending and so has, gasp, the New Yorker (they came out against it, no surprise).  And even a star such as Ursula LeGuin has weighed in, saying that literature is “the extant body of written art.  All novels belong to it.”  Check out the New York Times bestseller list on any given week and you’ll see that it is often dominated by genre.

So, to me, there’s no doubt about it—genre is the new black.  Okay, sorry, I had to go there.  Even literary fiction is considered a genre now, as is my favorite category, and what I write, women’s fiction.  (Where is the “men’s fiction” you ask.  Excellent question.  It is somewhat of a point of contention that women’s fiction must be labeled as such while men’s fiction is just considered literature.)

Here’s a pretty good map  that will give you a good idea of just how far the country of genre extends (though I think their non-fiction categories are rather limited.)  And for a really extensive list, including some I’ve never heard of, go to our old buddy Wikipedia.

My real interest in this post is to explore how working within the confines of your genre can improve your writing.  For years, as evidenced by the kinds of statements I used to hear, genre writers were considered hacks.  Now, with the proliferation of writers and writing styles, genre is a useful tool that differentiates various styles for readers.  And you can and should use it to your advantage.  Here are what I see as the benefits to working your genre:

 

  1. Passion. Most people start writing a particular genre because they love to read it.  If you don’t love reading your genre, and try to force yourself to write in it just because it is popular, that will show.  (I can’t tell you how many times I’ve tried to write YA to no avail.) But on the flip side, if you love romance or women’s fiction, the words will come easily to you. (Or maybe I should say easier.)  Let your passion flow and it will deepen the worlds your create, no matter what genre.

 

  1. Expertise. Embracing your favored genre will give you experience and knowledge.  Rather than trying to write whatever is popular, or what you think you “should” write, allow yourself to sink deeply into one genre.  Read widely in the field, not just other novels, but craft books as well.  And write like crazy. Soon you’ll have all the tropes of the field down pat.  James Scott Bell has an excellent tutorial on this at the beginning of his book, Revision and Self-Edition for Publication.

 

  1. Structure. Genre novels have ready-made structures, which is part of the appeal of reading and writing them. For a mystery you need a body (most of the time) and an investigator that people want to spend time with.  For a romance, you want star-crossed lovers.  For science fiction, you’ll need the future or a unique world.  The point is that you’ve got conventions established and waiting for you.

 

  1. Transcend.  Once you have mastered the lay of the land you can go farther and make the genre your own.  BUT ONLY AFTER YOU’VE MASTERED THE BASICS.  I’ve always thought that a mystery needed a body up front, as close to the beginning of the book as possible. But nowadays I read mysteries that don’t even have murders.  Don’t try this at home, folks, until you have mastered every aspect of the genre.

 

  1. Meld. Similar to #3, once you’ve learned the basics you can blend and shape your genre your own by mixing it with others. Kate Atkinson’s mysteries, for instance are to cozies as a chocolate cake is to a piece of peppermint candy.  That’s because she blends in elements of literary fiction in her writing style and focus on character.

 

  1. Readers. As in, you’ll likely get lots of them. Genre readers are the most avid on the planet, which makes them a particularly satisfying field to write in. And a writer can learn a lot from which books do well with their target audience and which fall flat.

 

  1. Fun. This takes up back to #1.  If you enjoy a particular genre, there’s nothing that’s going to give you more pleasure than writing it.  And, remember, we do this for fun, people! If you’re not enjoying your writing, you might want to go get a job in a dentist’s office.

 

Do you write genre? Why did you choose the genre you write in?  Please weigh in!

Photo by austinevan.

8

From The Archives: Why Writing a Novel is a Good Thing–Even If You Never Get it Published

And here's one final offering from the archives, back in September of 2012.

Yeah, so, you want to write a novel.  And you're even thinking of doing Nanowrimo this year. (Nanowrimo = National Novel Writing Month, just in case you don't know, and it's in November.) 

But then the voices begin:                             

Themabina_temabina_white_271865_h

The dreaded blank page.
The dreaded blank page.

You'll never get published.

Why bother?

It's a waste of time.

You could be doing other things.  Worthy things.

You think you can write?

Who do you think you are to write a novel?

And so on.  I'm sure you know the variations.

But I'm here to tell you otherwise.  To inform you that writing a novel, in and of itself, for no other reason than to do it, is a worthy activity.  It is.  Even if you never get published.  (Which, with all the publishing options we've got these days, you probably will, one way or another.) And here's why:

1.  It's a creative act.  And the world needs as many of these as we can get. Creativity breeds creativity, just as energy breeds energy.  Who knows what spending time writing this novel might lead to?  It might lead to a best-selling novel, or an amazing idea in another area.  And, it doesn't matter if that doesn't happen because the simple act of sitting down to create is important.

2.  Novels change the world, in big ways and in little ways.  Novels deliver stories, which we're hard-wired to accept, and stories change us.  Think of novels with grand, culture-baring themes.  Or remember how you felt the last time you read a small, intimate novel.  It changed you a little, didn't it?  And that's how changing the world happens–one person at a time.

3. Novel writing makes you happy.  At least it makes me happy.  I love it.  And I presume that it will make you happy, too.  Lest you think that happiness is an unworthy goal, remember that none other than the Dalai Lama says that happiness is the point of life.

4.  Writing a novel is an accomplishment.  The first time I finished a novel (it's the one sitting in my office cupboard)I was so amazed at how much oomph it took that I vowed to respect every single book ever written, even the crappiest romance novel.  And I do.  You should too–especially the one you're writing now.

5.  Writing a novel hones your skills.  And remember, getting better at one thing affects the way you do everything.  Improving your novel writing will impact your blog posts.  And your articles.  And your diet.  As the ancients used to say, as above, so below.

6.  Writing a novel helps you understand the world.  To write a novel, you must populate it with characters, and to create characters, you must understand people.  And, guess what?  People are what make our world go around.  Writing a novel helps you understand them.

7. It's your deepest, most heartfelt desire.  Don't let that desire go unanswered.  Go do it already. 

Here's what I recommend: create your own list of reasons to write a novel.  Name it the Novel-Writing Manifesto, or something a bit less grandiose.  Post it next to your computer.  Read it often–especially after something has shaken your confidence.  It'll snap you right back into a novel-writing space.

What are your reasons for writing a novel (or any project)? Do you use them to steer yourself back on course?

And if you'd like help with your novel-writing effort, remember my Get Your Novel Written Now Class begins in October!

5

Link Round-up: Writing the Novel

While I'm teaching writing in Europe, I'm mining my eight years of articles on writing for you.  Once a week I'm posting a link round-up on a certain subject.  I'll also re-post an oldie but goodie in full on a different day. And I've got a couple of new posts scheduled for you as well. 

Today's topic is writing the novel.  Scroll down for tons of links!

Work-in-house-1232248

Not sure what exactly is going on in this photo besides the writing. Are you?

 

Starting & Prep

 

Finding the First Line of Your Novel

A Novel-Writing Vision Board

Tips on Writing: Prepping For the Novel, Part One: Tools

Tips on Writing: Prepping For the Novel, Part Two–The Ideas and the Process

Tips on Writing: Prepping For the Novel, Part Three: Character

Tips on Writing: Prepping For the Novel, Part Four: Story

 

The Long-haul (or, Sticking With It)

 

Making the Magic Happen: Committing to a Writing Schedule

Fast-Drafting Fiction (Or Any Other Kind of Writing)

Never Underestimate the Power of a Writing Prompt

Willingness: The Mindset for Writing a Novel

Writing Every Morning

 

Character

 

Characters at Cross Purposes

7 Ways to Get to Know Your Characters

9 Ways to Create Characters Readers Will Identify With

Creating Characters: Compassion and Conflict

The Ordinary Day

 

Setting

 

Building Your Fictional World

The Power of Place

Location, location, location

 

Structure

 

Overcoming Flat Scenes: Rising and Falling Action

Story Structure 

The Value of (Groan) Structure

Saturday Writing Tip: Scenes

 

Okay, that ought to keep you busy for awhile.  And remember, I'm teaching my novel writing class this fall, starting in October, if this has whetted your whistle for the process. 

Next link round-up is a week from today, Tuesday, September 8, on journaling!

 

1

Macaron Day (Or, Jour du Macaron)

So, last Friday, March 20 was Macaron Day worldwide. Macarons

What is Macaron Day?  It was started by the venerable Parisian baker Pierre Herme (his name has an accent mark, but I can never figure out how to do those) in 2006, and the way it works is simple: you drop into a bakery, donate money to charity, et voila, you receive a macaron in return.  This year was the first year that my fair city of Portland, Oregon, has participated in Macaron Day, and let me tell you it was a raging success!

But first, perhaps you are wondering why I am writing about macarons on my writing blog? Simple. My next novel, the one that is currently being readied for submission with my agent, is about macarons.  Or more to the point, a macaron baker.

Here's a brief synopsis:

 All Madeleine Miller wants is for her new Portland business, the Bonne Chance Bakery, to be a success. But things get off to a slow start when her husband Will runs off with an employee and starts his own rival bakery, leaving Mad in the lurch. Luckily she has the help of the bakery's accountant, Jack, and his precocious daughter Daisie. Portland foodies love the bakery's French macarons, but alas, their passion doesn't quite add up to financial success.

And then one day, world-famous entrepreneur slash actor Richard Bishop appears at the bakery and becomes smitten with Mad's macarons—and her. His offer to franchise the bakery concept feels like selling out, and Madeleine isn't interested. But then she learns of the shady financial dealings her ex-husband used to fund the bakery—and she's forced to accept his help. Soon she's catapulted into a world of luxury and excitement in Los Angeles as she supervises the opening of a second Bonne Chance in Hollywood.

But in her efforts to save the bakery, will she lose herself? Set in Portland, Los Angeles, and Paris, the novel illuminates the crazy path romance sometimes leads us on—and the circuitous route that will lead the way home. With its themes of identity, self-determination and following your dreams, The Bonne Chance Bakery is a feel-good novel with a serious message at its core.

(That description is taken straight from my query letter, by the way.  The very same query letter that got me a read of the full manuscript and a signed contract within one week.)

So, as you can see, attending Macaron Day was a must.  Luckily, my biz partner Debbie and I had scheduled a morning to do some planning on the workshop we held last weekend, and so we folded Macaron Day into it.  Our first stop was Nuvrei bakery, where rumor had it that they were giving out "starter kits."  And oh my God, what fabulous starter kits they were!  The most adorable tote bags imprinted with pink macarons.  I was so excited.  I needed one of those tote bags.  After all, I'd just finished a book about macarons!

We stood in line for probably ten minutes as person after person walked past us carrying the totes.  Yes–there were long lines for macarons!  The day for these luscious, pillowy pastel cookies has definitely come!  I got more and more excited as we neared the front of the line.  And then watched as the person in front of me got the last tote bag.

Wah wah wah.

Oh well.  I recovered.  A bite of a salted caramel macaron revived me.  After we sat downstairs and did some planning, we drove across the river to Farina Bakery, which is very special to me.  Laura Farina let me shadow her last year, back when she was still baking macarons in a commercial kitchen, so I could see how macarons are baked.  Now she has her very own place, complete with apron murals.  And she is pretty much acknowledged to be the premier macaron baker in town.  (One headline announcing the opening of her bakery read, "Portland's macaron queen gets her own palace.")

There, at Laura's place, were more people standing in lines with their cute little macaron-imprinted tote bags.   Only one sob escaped my lips as I gazed at the tote bags.  Debbie and I nabbed a whole passel of macarons in a rainbow of colors for our workshop the next day.  And I got to chat with Laura, who is probably the most cheerful, positive person I've ever met.  (Must be the macarons.)

I was going to write about how I discovered macarons and how I got the idea for the novel in the first place, but I'm already pushing 800 words here so I think I'll save that for another post.  

In the meantime, go get yourself a macaron (as they get more and more popular, they are more readily available.  Or, you can always mail order some here.)

Clearly, I've been writing about macarons.  What are you writing about?  Leave a comment!

I found the image of macarons on the Google.

8

Finding the First Line of Your Novel

Books_Olympus_ompc_79830_hI’m looking for the first line of my novel, the one I’m currently rewriting.  It’s funny, I have this unwarranted idea that the first line should spring, fully formed and perfect, into my mind and from there I will write the rest of the novel.

This is not what has happened with this current novel.  The current first line is kinda okay, and I actually like it, but all of my readers so far have told me that not only the first line but the first few paragraphs have to go.  

And I know they are right.  Sigh.

But I’m still superstitious about it. Because, here’s what happened with Emma Jean.  She started talking to me and the first line of the novel, Emma Jean Sullivan hated babies, sprang into my head and the novel went from there, much like I described.  It is a great first line, you have to agree. My writing group at the time loved it.  Until we got to the rewriting part and the doubts crept in.

“Maybe you’ll turn off agents with that line,” someone said.

“Or readers,” another chimed in.

And so I changed it.  I can’t even remember to what, but it was something lame and lacking in power. I submitted the rewrite to the group, and–you can see this coming, right?  They were all, “Why did you change the first line?  This one doesn’t work at all.”

And so the original, brilliant-if-I-do-say-so-myself line stood.  

I’m not an expert on first lines and I’ve not actually read much about what they should include, but here’s my idea: they need to draw the reader in.  I know, duh.  But what, exactly, will draw the reader in?

In my inexpert opinion, it is conflict.  If you have a weak, flabby first line try adding some tension or conflict to it and see what happens.   And now that I’m thinking about it, that’s one of the problems with the current first line of my novel–there’s no conflict in it.

On the other hand, I just found a site which lists the 100 best lines of novels, and guess what the first line is?  Call me Ishmael.  Not a lot of conflict in that, is there?  (Update: that site is dead, but here’s one that lists the 50 Best First Sentences in Fiction. It’s a little hard to read, but as far as I can tell Call me Ishmael is not anywhere on it.)  And by the way, here is my own favorite first line, which is really not the first line of the book, but of Codi’s viewpoint section, but anyway, I still love it: I am the sister who didn’t go to war.  Do you know what novel it is from? (I’ll tell you at the end of this post.)

One of my pet peeves is the opening a novel with dialogue.  I don’t mind it when others do it, but it never seems to work for me.  I know, weird.  But there it is and that’s not very helpful to you, is it?  So since this post is turning out to be exploratory in nature, in order to offer you some real assistance, I turned to the Google.  And found some good links!  Here you go:

7 Keys to Write the Perfect First Line of a Novel

7 Ways to Create a Killer Opening Line for Your Novel (This one is really helpful.)

Okay, and honestly, those are the only how-to examples I could come up with.  But I think they are good ones.  So now I’m going to slink away and ponder my own first line.  Oh, wait, I had one more suggestion about how to find your first line.  

Ask your subconscious to provide it for you.  

I do this when I’m full up and fed up with trying to figure it out myself.  It always works, it just sometimes (like now) takes awhile.  But I feel certain it will be here soon.

What do you think about first lines?  What’s your favorite?  And how have you found yours in the past?

*Animal Dreams, by Barbara Kingsolver, which also happens to be one of my fav novels of all time.  Along with Crossing to Safety by Wallace Stegner.

9

Fast Drafting Fiction (Or Any Other Kind of Writing)

When last I communicated with you, I told how I was taking a hiatus to finish my novel.  As my grandbabies would say, done! (This must be accompanied with both arms raised in the air.)  I finished the first draft on August 31st, and seeing as how my goal was to complete it by the end of August, I was happy.

It took me nearly a year to write it.  I wasn't writing steadily the entire time–I took whole months off here and there while I floundered.  By the standards of the class I'm currently taking, that is an eternity.

I am enrolled in a class called Book in a Month.  The first two weeks you write a draft and the next two weeks you revise.  Candace Havens, who teaches the class, urges her pupils to commit to writing 20 pages a day, gasp.  But, to my great relief, most of us in the class are not doing quite that many pages.  The main rule seems to be that you must write something (and post it on the Yahoo group page) or she may kick you out.  So, since I'm in the midst of getting ready to teach in France, I've committed to 10 pages a day.

This comes at an inconvenient time, I will admit.  I have 50,000 things to do before I leave and all. But I hope plan to be getting in my word count on the plane and the train from Paris to Beziers.  And I really wanted to take the class because I've long suspected I can write faster, and I was curious as to Candace's techniques.  To nobody's surprise, the techniques are simple: write.  

Make a commitment and write.

Ha!  Would that it were that simple.  Oh wait.  It is.

So, I'm a few days in and I'm already learning a lot, mostly that I need to unlearn a lot of stupid rules about writing that I carry around in my head.  Though my rules are likely different than yours,  I thought I would share them with you as instructive examples.  

Stupid Writing Rules

1.  I can't write fast.  Instead, I must sit and stare out the window at my giant Kiwi bush that is slowly taking over my whole backyard and wish that the kiwis would tell me what to write next.  Also, accessing the internet for research periodically is vital.  And, of course, going on Twitter to report my progress (or lack thereof) is also essential.

2. I need lots of uninterrupted time to write. To nail 10 or 20 pages a day, one must have hours of time in which to get words on the page, right? Wrong.  You can do it in small increments and many people do.  Earlier this week I wrote some in the morning, broke to talk to a friend and eat lunch, went back to writing for a bit, went to a Labor Day barbecue, wrote some more, had dinner and watched a little TV and came back to finish my final two pages.  Worked fine.

3. I can't write at night. I am a dedicated morning person, up most days between 5:30 and 6, and it is in these early hours that I like to get my writing in.  I'm at my best in the morning, as long as I have some coffee to write with.  Because of this, I'd started to believe that I couldn't write at night. Wrong!  See #2.

4. I can't write after I've had a glass of wine.  Not true.  The other night I enjoyed Happy Hour with my husband, ate a bite, watched my current favorite TV show, (which is, embarrassingly, Running Wild with Bear Grylls)and then went to my office to get two more pages in.

5. I can't finish one novel and go right to the next. Um, no.  Finished the one I've been laboring over for a year and opened a new file and started the next.

6. I have to have an outline!  I am a confirmed plotter.  Anybody who has worked with me knows that I advocate the benefits of a loose outline, just because it really helps to know where you're going.  But with this novel, I'm running blind.  I had a vague idea as I started and I'm must following where it leads me.  I'm not entirely convinced it will all hand together in the end, but I'm willing to try!  So, for the moment, I've joined the ranks of pantsers.  (Which means, for those who don't know, writers who fly by the seat of their pants with little planning.)

7.  Writing fast produces crap.  This is maybe the biggest surprise.  I'm quite pleased with what's on the page so far. In many ways, I'm coming to believe that writing fast is better for getting your true voice and style on the page.

So that's it, that's what I've learned thus far.  And I really urge you to consider some fast drafting for yourself.  I believe it bypasses the internal critic that slows us down and allows us to get a truer voice on the page.  

What do you think about writing fast? Yes or no?  Have you tried it?

PS.–Guess what?  I can get Typepad on the new Surface tablet I bought to take to France so I'll be blogging from there (she said, hopefully).  Last year I didn't know that I couldn't blog from my Ipad until I got there, sigh.  And by the way, I'm in love with the Surface 2.  It is a tool for work, as opposed to an expensive toy.  Just saying.  For someone who travels as much as I do, it will be a godsend.

6

Finishing My Novel

Today is Tuesday and I usually post.  (I follow a loose, and I do mean loose, schedule of Tuesday, Thursday and Saturday posts.)  I have a half-finished post about getting support, whether its for your writing or physical or emotional issues that I'm working on, but it is not resonating with me.

And I just realized why.

It's because I'm two chapters from finishing the first draft of my next novel.  And I've set myself a goal of being done with it by the end of this month.  Which happens to be in five days.  And the closer I get to ending, the more resistance I feel.

I've got a lot of work at the moment, including the best, most amazing coaching clients in the world! Truly!  So something has to give.

And guess what that something is going to be….this blog.

I'll be back as soon as I finish the novel with a full report on everything.  And it won't be long because I WILL make my goal.

In the meantime, I post a new writing prompt every day on my Tumblr blog.  (It doesn't take long to write a prompt.) And I'll have my usual round-up of writing prompts on Saturday.  Maybe I'll even be done with the novel by then.

Happy writing, everyone!  And if you want to, leave a comment telling us what you are working on.

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Book Review: The Novel Writer’s Blueprint

Paperbackbookstanding-226x300I've got a new book for all you fledgling novel writers out there.  

It is called The Novel Writer's Blueprint: Start Writing Your Novel Today, by Kevin T. Johns.  I discovered the book when Kevin emailed me a wonderful query asking if I'd be interested in reviewing it. Since I'd just published a rant post about how often I got approached by people with terrible queries, I leapt at the chance.  

Kevin sent me the book, I read it, and now I'm reviewing it.

I like this book quite a bit.  It lays out in five steps the system that Kevin believes will allow you to write your novel.  (The genesis of the five-step system was Kevin's own struggle to write his first novel.  It took him eight years–and he swore he would not let that happen again.  Can you relate?)

The five steps are as follows:

1. Genre Selection–Learn to harness the power of genre.

2. Story Structure–Select a story structure already proven to work with readers.

3. Puzzle Work--Piece together your scenes into an indispensable beat-sheet.

4. Preparatory Regimen–Sharpen your writing skills.

5. Running the Marathon–Implement protocols to stay on track and beat the biggest challenges.

Not mentioned in this rundown is his introductory chapter, which has a lot of good information in it as well.

My favorite chapters were #2 and #4.  I love #2 on story structure, because I'm a story geek, and Kevin has a film background so he's well versed in various structures and he presents them clearly.  Chapter #4 covers a good collection of tips for writing, such as timed writing, mind mapping and brainstorming.  Kevin also mentions a technique called "Writing Down the Page" which it turns out I do all the time, but didn't have a name for.  It's when you write a sketchy outline of your chapter so you have the general flow down.

This book is perfect for the first-time novelist who wants a picture of the road ahead before launching onto the journey.  And seasoned novelists will find a few tips of use as well.  Check it out, guys.

Do you have a favorite book on novel writing?  Please share! 

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