We woke to rain in Portland this morning and I cheered. I know, I know, but as a native Oregonian, I love the rain. Plus it had been humid (by our standards) for awhile and it felt like we needed a good storm to clear it out. And that meant I didn’t have to water the garden, and that the gamble I took on not watering my son’s yard (we’re caring for his house while they are in Hawaii) yesterday paid off.
The sky is already brightening here, which means I probably get to go to my grandsons’ swim appointment after all. But today’s rain reminded me of my favorite writing and rain quote ever, by Tom Robbins:
“People ask me who I write for, I tell them I write for the rain.”
The funny thing is, this quote exists only in memory as a part of an article about Robbins in Esquire. Despite wasting tons of time exhaustive searches looking for the quote I’ve never been able to actually find it. In honor of the rain this morning, I looked for it again and guess what came up? A couple of my old (2011) posts. The one that mentions the quote doesn’t have much of value in it, but another one did, including some gems from Annie Proulx (that link goes to a great interview with her) and Chris Guillebeau.
So, in lieu of a Five on Friday post, I give you this link.
(And, in a lovely bit of synchronicity, when I looked up a link on Robbins, it turns out that today is his birthday. Boo-yah! And happy birthday, Tom.)
“In the beginning mind, there are many possibilities, but in the expert’s there are few.” Suzuki Roshi
I don’t know about you, but I consider myself an expert. Yep, I sure do. Because I’ve been writing novels for a gazillion years and teaching fiction writing for half that time. I’ve studied long enough to have earned an MFA and blogged long enough to remember when WordPress barely existed. So, yes indeedy. Expert here.
You’re probably an expert, too. Maybe in writing—you’ve probably been at it for a while, too. Or maybe in other areas of your work and life. By the time you reach a certain age, you’re a bona fide expert. That means you and I know a lot.
It also means we have a lot of preconceptions. Maybe a mind that is a tiny bit closed to challenges to our knowledge. A brain shut tight to new ideas, to an expansive openness that lets the light in. And we may not even notice, being so very busy in our expertness.
I was reminded of all this last week when I taught a group of beginners (or raw recruits as I liked to call them). Out of a group of eight, seven came to the novel-writing workshop with no prior experience writing full-length fiction. They had ideas, but some were vague. They knew nothing about plotters and pantsers and plot points and character dossiers or how to write a scene or structure a novel. By the end of our three days together, they walked out with a plot and characters firmly in mind, close to being ready to write.
I attribute this readiness not to me, but to them—and their marvelous beginner minds. They soaked up ideas like the moss on my sidewalk soaks up water during rainy Oregon winters. Their beginner minds filled up with knowledge and ideas at an astounding pace and they inspired me—and this post—along the way.
Don’t get me wrong, there’s nothing wrong with attaining expert status. There’s the whole 10,000 hours thing espoused by Malcolm Gladwell , who claims you need to practice a thing that many hours to be considered an expert. Do a quick spin around the interwebs and you’ll find all kinds of references to mavens and experts and specialists and professionals. And they are all good. We need their knowledge and expertise. But there’s something amazingly wonderful about approaching one’s work with a beginner’s mind, as I witnessed last week.
Following are some ideas for maintaining a beginner’s mind. But also go read this lovely article about it from a Buddhist abbess.
Be open. I know, duh. But how often to you find yourself listening to another person and eagerly pondering what you’re going to say in reply? Or getting defensive and upset about their words? Yeah, me, too. So, for instance, if a writing friend is going on about how great it is to write without an outline and you fervently believe the opposite, try just being a tiny bit open to his point of view.
Be willing to admit you’re not always right. Often we desire to be right more than anything. I’m not sure why this is—perhaps it gives us a sense of power or security in the world. But it can be detrimental, too. Though my husband and I like to joke that I’m always right, I can think of some times when I’ve been very, very wrong. A willingness to admit it would have saved me tons of grief.
Be willing to admit you don’t know everything. There are all kinds of literary terms whose meaning I don’t get. Okay, I admitted it. And I still sometimes get confused about omniscient viewpoint. And don’t even get me started on math—my son, the mathematician has explained prime numbers to me at least five times. I still don’t understand them. And that’s okay.
But don’t close your mind just because you don’t know. Don’t let not knowing keep you from being curious. I could probably stand to learn Excel, for instance, an app I’ve told myself repeatedly I can’t master. With an attitude like that, it’s likely I never will.
So the not knowing thing cuts both ways.
Approach life and writing with a sense of adventure. Every time I’ve said to myself, “Life’s an adventure,” it has turned out to be. You can’t have an adventure with a closed mind, you just can’t. And life and writing are ever so much more fun when you’re adventurous.
Okay, those are my thoughts. And now I’m going to go apply a beginner’s mind to looking at my WIP (work in progress for those with beginner’s minds). I invite you to come on over to the blog ( ) to comment on how you cultivate beginner’s mind.
Writing a novel is, at heart, all about making shit up.
That phrase–making shit up–became the constant refrain of my Mapping the Novel workshop at the Sitka Center last week. (It was the BEST workshop ever, mostly because of my wonderful students, but also because of the fabulous staff and the spectacular location. I could go on and on.)
In order to write a novel, you’ve got to make a lot of shit up. You just do. But then you have to shape the stuff you made up into some kind of form. And that was the premise of the workshop–that you’ve got to let your right brain roam free but also learn the structures through which you will corrall it.
It is easy to get hung up on any part of the process (she said, having experienced getting hung up at many points along the way). But bear in mind that structures are part of craft and can be learned. You can study plot, scene, character, style, and theme. It’s hard, but you can figure out how to apply it so you make a novel with a cohesive whole.
What is harder, arguably, in this day and age, is the making shit up part. It’s the part where we let our brains run free, and allow our hands to follow them, putting word after word on the page–even when we don’t know where the words will lead us.
The making shit up part is why we become writers. I mean, who sets out to write a novel because he wants to master plot? There may be a few of you out there, but I’d wager a bet that most of you want to write a novel because you’ve experienced the glory of writing, how good it makes you feel to lay down those tracks.
The making shit up part is fun–and its also sometimes really freaking hard to get ourselves to do. But really, all you have to do is go do it. Take a prompt, any prompt, set a timer for 10 minutes and go write! Do it now. Go make shit up. You’ll be glad you did.
Leave a comment and let’s discuss your favorite way to make shit up.
**I had a couple of great photos from Sitka picked out to go along with this post but some reason, WordPress doesn’t want to let me upload them. If you want to see a ton of them, go to my Instagram page (and follow me while you’re there–it is one of my chief social media outlets).
Spring never fails to surprise me with its lush beauty. And this year is no different. Even though we don’t get much in the way of snow, it does feel like we’ve come through a long winter, seeing as how we’ve had record-setting rainfall amounts. And so spring is delighting me everywhere I look. Here are some ways to welcome it in that just might impact your writing, too.
Smell the flowers. I know, duh. But sometimes I get so busy with all the very important details of my life that I forget to appreciate the small things. And those small things, added to our stories, are what make them come alive.
Roll in the grass. Or swing on the swings. Slide down the slide. Play like a little kid. We adults are usually far too cool to do any of this—but it is a lot of fun once you let loose. And nothing refreshes the writer’s brain like some fun.
Rest. Have you noticed a lot of people sniffling and coughing around you the last week? Yeah, me too. We all tend to get sick more around the equinoxes and solstices. Plus, here in the states we just changed to daylight savings time. Good reasons to rest up.
Take a trip. Long or short, either can be invigorating for the writer’s brain. A couple days ago, I had occasion to drive out to Oregon’s wine country to meet a client who was here visiting family. I’ve been out there a million times—but its been a while. I had a blast admiring the gorgeous scenery and the adorable small town vibe of McMinnville.
Dye Easter eggs. Even if you’re not the least bit religious, dying eggs can be a lot of fun. Or maybe that doesn’t catch your fancy, but what about some other creative project? Giving your brain a chance to do something creative besides writing can rev your engines.
Celebrate. Sunday is Easter and you don’t have to be a believer or go to church to celebrate. The church I grew up in celebrated Easter as the coming of spring. Good enough for me. Actually, my family uses just about an excuse to celebrate. Take time to be festive.
Walk in the rain. Because it’s fun.
Write outside. (But not when it’s raining.) Grab a spot at a sidewalk table at your favorite café or sit in your own backyard. Bundle up if it’s still a bit cold. A change of venue can do wonders for your writing.
Hunt for four-leaf clovers. See #7. It is also good to focus your powers of observation.
Take a picnic. Pack a lunch and your laptop or tablet, head for the park or your favorite outdoor spot. Make an afternoon of it. You can combine #2, #3, #8, #9 and maybe even #7 with this suggestion!
What are your favorite ways to welcome spring? How do you incorporate them into your writing?
Sometimes I like to tell myself stories, say, when I'm doing the dishes (which my husband might claim is rare) or putting on my make-up and drying my hair. And it occurred to me recently, that a couple of my favorite stories fell into the category of colleagues doing Stupid Writer Tricks. (Because, in the stories I tell myself, I'm always the heroine who is five times smarter than anyone else–and of course, I never do any of these myself. Nope, not ever.)
And then it occurred to me that these stupid writer tricks warranted a blog post. So here you go. In all seriousness, these are bad habits that can derail a writing career faster than my cats attacking their food dishes at 4 AM in the morning.
1. Not utilizing the basic tools of the trade. In the course of my travels through the writing landscape, I have come upon several practitioners of our craft who do not have word processing programs. God only knows what they type on, but this means, at a minimum, there's no formatting and no spell check. It also often means that others cannot open their manuscript. It for sure means that their submissions to anyone anywhere in the entire publishing world will be ignored and they will be branded as an amateur.
2. Ignoring conventions of genre and structure. Like, writing a mystery without a murder. Or thinking that it really doesn't matter if their novel's characters don't want anything. It does to matter, because, DESIRE MAKES THE WORLD GO ROUND. And furthermore: yes, the conventions of literature apply to you. No, your genius is not such that you can ignore them all. And if you persist in coddling your genius in this manner, guess what? The world will ignore your work.
3. Ignoring the critiques of those whom you have entrusted to read your manuscript. There's a fine art to taking criticism. Sometimes, it is so clearly not applicable and that's fine. Reject it. But I've seen writers ignore advice that would have made the difference between a meh book and a wow book and that's just plain dumb. Rule of thumb: if more than one person is bumping over something, consider changing it.
4. Ignoring submission guidelines. Years ago, at one of the first writing conferences I ever attended, an audience member inquired at an agent panel, "Does my manuscript have to be typed?" Sure wish I had a photo of the expressions on the faces of the agents there that day. I don't think anybody these days is quite that stupid, but you'd be surprised how many people I know fail to follow the most basic of submission guidelines. Bottom line is this: go to the website of the agent or publication to whom you wish to submit and DO EXACTLY WHAT THEY SAY.
5. Not using social media. Yeah, I know. It's beneath you. Tough. Do it anyway. If you don't like Twitter, use Facebook, and vice versa. If you don't like either, try Instagram (my current favorite). Or Pinterest. Maybe you'll even be one of 10 people who like Google+! Whatever, find something, anything that you like and work it.
6. Posting all self-promotion, all the time. I have a friend. She is the bane of all her writer's friends existences because all she does on social media is talk about her great she is and how everyone loves her book so much and how now she's appearing at this conference (where everybody loves her) and now she's reading at this event. Barf. I've got news for you–after awhile, nobody pays attention. I know its a cliche, but what we want is to engage. Start conversations. Comment on what other people post. Chat a bit. It'll get you way more followers–and it is way more fun.
7. Not writing every day. Because none of the above matter one bit if you don't.
Which of the above are you guilty of? Okay, maybe you don't want to confess publicly. So which ones are your writer friends guilty of?
I learned a different way of looking at my writing this weekend, a way that I think will help inform how I plan and plot a novel. (One of the things I love best about writing is that there's always something new to learn. It's impossible to be bored by it.) I'm thinking this thing will help you, too, so let's discuss. But first, some background.
This past weekend, I went to Seattle with my daughter. We took the train up and back (the best way to travel), stayed in the Roosevelt Hotel downtown, and reconnected with an old friend and met her new family. (One of the most adorable two-year-olds on the planet, second only to my own granddaughter.)
One of the best times we had was Saturday afternoon, when we hung out at the new (to us) location of Elliott Bay Books. The bookstore is dotted with large tables at which you can while away the afternoon. Which is exactly what we did. It felt like the height of luxury to spend a couple of hours doing nothing but looking at books. My daughter perused books from the design section, and I pulled out stack after stack of titles from the writing section. I read through many of them, took notes from some, and ended up buying two:
Naming the World, and other exercises for the creative writer, edited by Bret Anthony Johnston. I remember being at AWP years ago right when this book came out. It is comprised of brief essays and accompanying writing exercises from a wide variety of writers. I'm always looking for exercises for myself and my students–I'm not sure why I haven't bought this one earlier. It is excellent. (I especially love the section of Daily Warm-ups at the back.)
The Plot Whisperer, by Martha Alderson. I've read her blog, but for some reason shied away from the book, which has been out a few years. I'm only a short way in, but the book is excellent. And the thing that has grabbed my attention is the distinction she makes between left-brain dominant writers and right-brain dominant writers. To wit:
The left-brained writer thinks in language more often than images and is quite comfortable with action. He might also be analytical and detail-oriented. Alderson says that if you crave action and "spew out dialogue at will" you are a left-brained writer.
The right-brained writer thinks in pictures rather than language and likely starts his writing developing characters or emotional moments in the story. He takes a more intuitive approach. If you fall in love with your characters and love to ponder theme and meaning, you are more right-brain oriented.
Raise your hand if you recognize yourself in one of the descriptions above. Me! Choose me! I'm a right-brained writer through and through. I can't think of a novel or story I've written that didn't start with a character, and because of this I also have a few abandoned stories littering my computer, because I didn't know how to develop action for the character.
It doesn't matter which one you are, but it helps to figure that out from the get-go. Because just as I've struggled with action in my stories, the left-brained writer will struggle with getting character emotion and detail into her work. And if you know that going in, you'll know where your weaknesses lie and you can figure out how to correct them.
You'll know that if your left brain tends to be more dominant, you'll need to learn to focus on character, imagery, and emotion. Conversely, if your right brain rules the roost, you'll have to focus on plot and goal and structure. (There are ways to do this without freaking yourself out.)
Alderson has an interesting offer on her website. (I'm in no way affiliated with her, just intrigued by the info she's presenting.) It's called Writing a Story Takes You on an Epic Journey, and since it is in beta, it is really inexpensive (like $14.99, amazing).
So that's what I learned this weekend. Does the concept of left-brain dominant and right-brain dominant writers resonate with you? Which are you? Do discuss in the comments.
All images are by moi. I've been using Instagram a lot lately. Come follow me there, why don't you?
Many, many, many, many, many, many (okay, I'll stop now), years ago in college, my favorite perfume was Je Reviens. This was a perfume that stopped men in their tracks, causing them to ask me why I smelled so good. I clearly recall one instance of this when I sat studying in the EMU Fishbowl.* A frat boy sitting two booths away yelled over to ask the name of the perfume that was distracting him. There was just something about this scent–and maybe the way it reacted to my skin–that enticed people, including me.
Now that I think about it, I'm pretty sure my sister Alice, who was an airline stewardess for TWA back in the days when they were still called stewardesses and TWA still existed, must have brought me bottles of Je Reviens from Paris. I quit wearing perfume for a long time and forgot about Je Reviens. But flash forward a gazillion years, to last summer, when the hub and I were in Paris on our way home from Pezenas. I decided to try to find a bottle of Je Reviens to take home. The glitzy–and intimidating–perfume store on the Champs Elysees, which sells every perfume known to man, didn't have it. And the bored ladies who worked there hadn't heard of it. I asked everywhere I found a place they sold perfume–at a cute little store at the base of the Sacre-Coeur Cathedral in Montmarte, at a shop in Montparnasse, where we stayed. But nobody seemed to have heard of it. (I'm certain my terrible French pronunciation had nothing to do with it.)
Upon my return home, it finally occurred to me to ask my friend Angela about the perfume. She is a perfume writer, you see (as well as being a wonderful mystery writer). She immediately told me she had some vintage Je Reviens she'd found in an antique shop and she would decant some for me. (See photo.) She also explained that the perfume had gone through several incarnations recently and was still available, albeit in a watered-down, drugstore version. I carried my sample home with reverence and stuck it in my bathroom cabinet to use for special occasions.
I am wearing it today. I'm not going anywhere special–I'm not going anywhere at all. I sprayed it on to cheer myself up after the WORST allergy attack that anybody has endured, ever, happened to me yesterday. And it has done the job. It brought back all kinds of pleasant memories, as noted above, and it has also made me ponder the power of scent in writing.
Firstly, smells transport us to other times and places. A whiff of a hawthorne bush, and I'm a little kid again, at my Aunt Betty's house in Hillsborough, California. The smell of corndogs and I'm at the Rose Festival Fun Center carnival that assembles itself every year along the waterfront here in town. (They call it CityFair now to try to jazz it up.) The aroma of sage transports me to New Mexico. Inhaling Je Reviens brought back all the memories I wrote about above. And these are rich veins, people, rich veins. You could do worse than to line up some smells to use as prompts. Take a whiff and start writing.
And second, smells can be just as evocative in our writing. Adding aroma to your descriptions helps to bring it alive–and yet it is probably the least taken-advantage-of sense. In my just-submitted novel, The Bonne Chance Bakery, my agent challenged me to do a better job of evoking the smell of the protagonist's macaron shop. Erp. Here's what I came up with:
And there was no other word for the smell of it but heavenly—that faint whiff of sugar, like cotton candy at the fair, or an ice cream cone on a hot summer day, the aroma that called to mind the best day of your childhood, or maybe your whole life.
Not holding myself up as the paragon of descriptive writing here, but rather illustrating how I equated smell with emotion rather than try to evoke it exactly. Because, how do you describe smells, other than to use the noun of what they come from–rose, for instance, or grass? I think that's why writers shy away from using smell in their descriptions. But I urge you to try.
So, yeah, 700-some words later and I've written a blog post, all inspired by my perfume. The power of scent, indeed.
*The EMU at the University of Oregon was the scene of the famous food fight in the movie Animal House, and also one of my favorite scenes of all time, when John Belushi says, "I'm a zit." Just to balance the sweetness of this post, here's the clip:
I love headlines and titles that promise me they are going to teach me something basic, like a few years ago when a book came out titled, How to Think. Now that's basic. So I was going to title this How to Practice but then I thought perhaps that was too vague, because one can practice a lot of things besides writing. Like the ukelele, or meditation, or making perfect.
So here we go with some advice on how to establish a regular writing practice.
The impetus for this is an article by Antonya Nelson about her tips rules for writing that a friend sent. The rule I keep pondering is this one, #8:
Be tolerant of dry spells. Understand that being a writer is not illustrated solely by the act of typing. Mulling, reading, meditating, lollygagging, cooking, joking, traveling, watching television—all activity, as pursued by a writing sensibility, is potentially the stuff of writing.
I am the first to acknowledge that creativity comes in cycles, and sometimes you just have to wait it out until it comes back again. But I also know, and have observed in myself and others, that "being tolerant of dry spells" too often turns into Not Writing. Period. And that those dry spells you are so happily tolerating can stretch for months and then years and then a lifetime and then there you are–you've become that person who put her unfinished novel in the drawer and there it sits for your children to find after you are dead.
So that's why I think that a regular writing practice is a good idea. You don't have to be writing brilliant words on your potential bestseller of a novel regularly. You can write in a journal, or just free-write on prompts, or scrawl a one-stanza poem every day, or nearly every day. In my humble experience, writing, no matter what kind, leads to more writing. And if you're a writer, as you and I are, you are not truly happy unless you are writing something.
So, write already. Here's help for how:
1. Follow your natural rhythms. I'm a morning writer. I love getting up at 5:30 and heading straight to the page. By evening all I want to do is down sip a glass of wine and watch TV or read. My brain is not alive enough for writing. But you may be the opposite–I know plenty of people are. Go with what works best for you. I know, simple advice, but I myself have spent years trying to twist myself into what others think best and I suspect you have, too. Because that's what we humans do, crazily enough.
2. Define what regular means. Maybe regular to you is not once a day, but two or three times a week. Or once a week. Whatever. My whole life and my coaching are built around encouraging people to discover what's best for them and then do more of it. But here is where I step away from that platform and remind you that in defining regular, you need to commit to more than once a year. Or even once a month. Because practice means "the actual application or use of an idea, belief, or method as opposed to theories about such application or use." (I got that from consulting the Google.)
3. Set a reasonable goal. I know, I hate the G word, too. I really do. I start squirming in discomfort when I read books written by logical, left-brained business types about accountability and all that. And sometimes I rebel against my own goals. But I still think they are useful. Set yourself a word count or page goal and have at it.
4. Lower your standards. You don't have to write the whole novel in one week, nor should you. Books get written one word at a time, so all you have to do is get yourself to the page and write a few of those words. Julia Cameron talks about how three pages a day doesn't seem like much–but at the end of the month you've got 90 pages, which is one-third of a novel. I read a book last summer (forgive me, the name of it has escaped into the ether) in which the author recommended a writing practice of a few hundred words a day. That, my friends, is achievable by anyone.
5. If all else fails, give up. Walk away from it. Throw up your hands and say forget it. Release your dream of being a writer. Because here's what I think: you really do want to be a writer. And writers write. So if you give it all up and are able to stay away from it and not write, then you're not really a writer. But if you really are a writer–and I'm certain you are–you will not be able to stay away. And you'll figure out a way to make it a regular practice in your life.
What are you best strategies for making writing a regular practice? Please share in the comments!
Yay! It's autumn, my favorite season. There's something about this time of year that I just love–the crisp days and fall color, the nummy seasonal food (apples and butternut squash, anyone?) and, of course, Halloween.
I always feel a sense of personal renewal at this time of year, stretching on through the dark days of December. It's because for so many years I returned to school come September, going back to a whole new slate of things to learn.
And now, with the cooler temperatures here at last, there's no better time for writers. So, herewith are my suggestions for celebrating autumn.
1. Sit by a roaring fire and write. Okay, you don't even have to do the fire part–just write. Gone are the distractions of summer and it is likely raining or cold outside. Sit your butt down and write.
2. Curl up in bed and read a good book. Pile on the comforters and duvets and pull out your Kindle or your book. There's no better time than a autumn day to get lost in a book. And one of the best things about being a writer is that reading is a big part of the job description!
3. Drink a pumpkin spice latte. If that doesn't get you going, nothing well. (Actually, when I was in the Salt Lake City airport on my way home from Paris I got a pumpkin spice latte from Seattle's Best Coffee. Um, they put pumpkin spice in the whipped cream, people! It's fantastic!)
4. Take a long walk and scuff through fallen leaves.Julia Cameron says that walking is one of the best things for creativity and I agree–it clears your mind and allows new thoughts to enter.
5. Conquer stress at last. Stress is the cause of most, if not all of our ailments, including, I would venture to say, writer's block. So let's slay that dragon this fall, shall we? My dear friend Sandra Pawula offers a wonderful home study course to do just that. Click on the Living With Ease button to the right and check it out!
6. Make leaf placemats. There's a myth afoot that taking time for creative projects other than writing will just take you away from your WIP. But the opposite is true–creativity breeds creativity. So here's a fun project (especially good if you have tiny humans around, but they aren't strictly necessary): Collect a variety if colorful leaves and lay them on one sheet of wax paper, cut to the size you want your placemat. Then place shavings and bits of crayons around the paper. Cover it with another sheet of wax paper, and using a sheet or something to protect the iron, press together. Voila! Leaf placemats.
7. Commit to a new project.Nanowrimo is coming up in just a couple of weeks. Who wants to write a novel in November? You've got just enough time to dream up some characters, plan the plot, create a world, before starting writing on November 1.
8. Finish a current project. As I write this, it is Mercury Retrograde, the perfect time to return to unfinished projects. Most writers I know have a story or two or twelve languishing unfinished on their computers. Pull them out and polish them off!
9. Watch a movie.Watching movies (and TV shows) can help you understand structure and dialogue and scenes. To me, there is something positively decadent about taking time for a movie on a week-day afternoon. So I give you permission to do it.
10. Start a journal. I'm a big fan of journaling, in all its permutations. I am off and on with it, going stretches without setting pen to diary, but then suddenly I will feel like I absolutely must write in a journal again. (This happened to me most recently in France.) Regular journal entries help you create flow in your writing and are good for noting all the things you want to incorporate in your work.
11. Take a nap. Dreaming is good for writing–and the soul.
12. Bake an apple pie. Or an apple crisp. Or a pear crisp. Or a crumble. The apples and pears are so delicious right now and there's nothing more satisfying then assembling a nummy dessert. Then you can eat a piece while doing #1, #2, or #3.
Well, I could go on, but you'd likely get tired of me raving about all things autumn. (I didn't even get to Halloween, my second favorite holiday!) So I will just turn the floor over to you–what are your favorite autumn activities? Please comment!
This may well be one of those never-the-twain-shall-meet dichotomies.
We all start out writing by hand as little kids, and for many of us that remains the preferred method of composition. For years I've taken lots of notes by hand before I switch to the computer. I even wrote half of a novel by hand once. (I ended up abandoning that novel, so I'm not sure what that says.)
And, for years, I've been a proponent of writing by hand when journaling or free writing. There's a more direct connection between hand and brain when you are writing by hand. And sometimes it is helpful to step away from the computer with paper and pen to write. (For other benefits, read this article.)
But lately I've been rethinking my position. I've noticed that when I write by hand, I get bored quickly and can't seem to force my pen across the paper. I quickly get into a this is stupid, why am I bothering frame of mind and I quit. A client and I were talking about this yesterday and she said when she writes by hand what comes out on the page feels very juvenile and not at all adult. I love that–I know just what she means.
And another problem is that my handwriting is increasingly difficult to read. (Just ask my husband how hard it is to read my grocery lists.) When I write something that I want to keep, it is hard to find it in the scrawl of my journal pages. And often when I go back, I'm unimpressed with what I wrote anyway. I've read that some people take all their free writes and put them onto the computer, but I simply don't have time for that. So many of my free writes are not about much of anything and I use them as warm-up exercises.
"A word on whether it's better to write by hand or on the computer. Many people feel there's a heart connection when writing by hand. I, too, feel a difference. Yet, I usually write on my computer because I can write faster and because I can save my freewrites."
So, apparently all it takes for me is for one person to give me permission because ever since I read that I've been off and running, doing freewrites and writing practice on the computer. Last week, I did a journal entry of sorts on the computer–I wanted to remember an experience I'd had and hand writing it just seemed way too onerous.
Now I'm a huge proponent of freewriting on the computer. And, the thought occurs that this may be a phase I need to go through and that some day I'll get back to writing a lot by hand. But, whatever–I don't care. As long as words are getting on the page one way or another, I'm happy!
What is your favorite way to write? Please leave a comment.