Please welcome our first Friday Guest Poster, Jessica Baverstock! Jessica writes the wonderful blog, Creativity's Workshop, in which Creativity is featured as a real character. Creativity writes in purple ink, you gotta love it. And both Jessica and Creativity have really good things to say about writing, as you'll see when you read this post. Funny story: Jessica had no idea that I was planning to alternate guest posts with mini-critiques on Fridays, but I am, and because of that, the topic of this post is perfect!
A couple of months ago we were introduced to Charlotte's Inner Critic, Patrick, and then invited to come face to face with our own Inner Critic. Criticism is an important concept to understand and become comfortable with because, as writers, we are always encountering it – be it from our Inner Critic or from others who voice their opinions about our work.
We usually think of criticism as the evil, creativity-killing blight of a writer's existence and strive to avoid it at every turn. Anyone who criticizes our work is either an unenlightened cretin who doesn't know good work when it bites him in the nose, or a heartless dream-quasher who opened our eyes to the futility of our struggle so we may now slink away and overdose on hard liquor and dark chocolate. It's not uncommon for us to vacillate between the two opinions as if we were traversing the stages of grief. Very rarely do we manage to accept the criticism without the emotional roller coaster beforehand.
However, not all criticism is created equal. There are two types. One is the soul-destroying, idea-murdering negativity that insidiously eats away at your self esteem and drive to succeed. The second, while demoralizing at first, is actually a gift – an opportunity to make changes and improve. If you can identify which type you are being subjected to, then you can decide whether to work on accepting it, or plow on in spite of it.
Here is the checklist I use to identify the good from the bad.
1. Is the criticism reasonable and helpful?
Helpful criticism is usually accompanied by explanation.
For example, which of the following two 'criticisms' do you feel is helpful?
"You'll never be able to get this book published. Your writing is mediocre at best."
"Your main character is a bit flat. I think he needs more back story. His motivation is just not showing through."
The first example is too vague. "Your writing is mediocre" doesn't provide information you can use to improve and certainly doesn't give you the incentive to try harder. The second example is helpful. It gives you specifics and a direction. While both examples hurt, the second example is the kind of feedback you need to hear. Don't ignore it. It's your opportunity to improve.
2. How experienced is the person giving the criticism?
Has this person actually worked in your field, or are are they just offering an opinion because they believe it's expected? You would obviously give more weight to feedback from an experienced writer than from great-aunt Maud who never has a good word to say about anyone.
This principle can also apply to your Inner Critic. When you are starting out in an endeavor, your Inner Critic tends to be trigger happy, vigorously attempting to scuttle anything 'flawed.' However, remember that your Inner Critic is not yet experienced. It needs time to gain understanding and insight. Perhaps it's worth ignoring that criticism for a while until your experience and skill have improved. Vice versa, if you are an experienced writer and your Inner Critic is nagging you, perhaps he's on to something and you need to take the time to listen.
3. Do you receive the same criticism from multiple sources?
When your critics begin to agree, it's definitely time to sit up and take notice. As James Surowiecki says, there is wisdom in crowds.
If everyone who reads your novel mentions its abrupt conclusion, then it's probably something you should take another look at.
Good Criticism Exists! Use It.
Crowds and experts have been known to be wrong. However, understanding the weaknesses in your work will always help you in the long run – to find ways to address those weaknesses or learn to hide them behind your strengths. By always being open to helpful feedback and opinions you can grow in your writing, reaching heights you never could without first addressing the flaws.
Remember though, everything improves with practice. Your first efforts at something new will always be below par. Do not let criticism discourage you. Use it to continue improving.
What methods do you use to identify helpful criticism?