Tag Archives | southern California

My Mind is as Dry as the Desert

(Brief aside: you know how you can remember the difference in spelling between dessert and desert? You want more of dessert, and thus it has two of the letter s in it.  My seventh grade teacher, Charles Nakvasil, taught me that.  He owned movie theaters after he quit teaching.) Desert-arizona-summer-47866-h

Last week I was out of town.  This was not the usual kind of travel I do, to writer's retreats or workshops or conferences or meetings with clients.  This was for fun only.  My nephew graduated from Pepperdine law school and two days later got married in Malibu.  Yeah, he's kind of nuts.  Runs in the family.

We, all of us, went to the wedding. Kids, grandkids, the whole shebang. Long-lost brothers and sisters-in-law.  Stayed at the same hotel, congregated for breakfast, hung out by the pool, like that.  We spent a day in Santa Monica (on the beach!) and wandered around the Venice canals. And then, when the kids went home, my husband and I played tourist, taking the best Hollywood star home tour ever, and wandering along Hollywood Boulevard to see the Walk of Stars and Grauman's Theater.  You gotta love all that.

And now, I'm home.  Have been for a few days.  Came back to appointments and laundry and family duties and tons of errands to run, as one does.  

But I haven't done a lick of writing.  

I've not written down a single idea.

Taken even the tiniest note.

I can't seem to land on anything.  My brain is full up, that's for sure.  But nothing is coalescing.  When I think that I should sit down and write, I can't seem to remember any of the projects I was working on before I left.  (Um, that would be the novel, and the two stories, and the idea for novella.)

I can't connect with anything.  My brain is as dry as the desert.

And, of course, I know the antidote for this.   Say it with me now:

Write something.  Anything!  Just put words on paper! 

And so I will.  Because I'm familiar enough with the creative process to understand that this happens sometimes, and while it's often important to just go with it, as I have been, it is also important to break the spell at some point with activity.

In other words, writing.

It's gone on long enough, and so I shall get to it.  Because if I don't get to it, the Not Writing may become a habit, and I can't allow that to happen.

What about you?  How do you break dry spells?  Leave a comment!

 

***For fun, some other posts I've written about southern California:

 Here's a post I wrote about attending a party on the Venice canals a few years back.

A post on why travel is good for your writing.

A letter from L.A.

A post titled, Ah, L.A., in which I discuss how its illegal to be anything but thin and blonde and tan there.

There are no doubt more, but that's all I can find for the moment.  Enjoy Memorial Day Weekend, everyone!

 Photo by Wolfgang Staudt.

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Writing Exercise: The Bluebird Canyon Special

The Santa Anas are blowing and fires are erupting all over southern California where I am currently ensconced at the top of a canyon overlooking the Pacific.  It is not quite as idyllic as it sounds, though I admit it is stunningly beautiful here, because I am here to care for a friend.

Perhaps it is the change of locale, but yesterday I awoke with a writing exercise resounding in my head.  Weird, huh?  Then again maybe it is due to the physical exercise I am getting.  This morning I ran down the canyon, so very proud of myself because I was not out of breath at all.  Then it was time to turn around.  And I realized I was at the bottom of a very steep hill.   Suffice it to say that I did not run back up said steep hill.   But I did make it.  And despite the sore legs, of which I am reminded numerous times a day in this house of stairs, I feel great.

And so here is the writing exercise that my subconscious created, The Bluebird Canyon Special.  This one is probably good for generating material for a new story, or if  you get stuck in your current story and need to jazz it up with a new character.  I've not had a lot of time to play with it, so give it a whirl and let me know how it works out.

Here we go:

1.  Pick 10 names of people ( such as Tara, Brunhilde, Eric, Sam..)
2.  Pick 10 locations  (LA, Boulder, Portland,Taos…)
3.  Pick 10 adjectives (blonde, lanky, beautiful, lush..)
4.  Pick 10 occupations (police officer, artist, CEO, waiter…)
5.  Pick 10 nouns (pen, journal, phone, table, car…)
6.  Pick 10 verbs (threw, jogged, spiraled, blasted…)

The key is to do this fast and don't over-think it.  You are simply generating material here, okay?

Now take the first four items and make a character with them:  Blond Tara from Boulder is a police officer.  Take the next two items and put your character into action:  Blond Tara from Boulder is a police officer who threw her journal out the window of her car.

Voila!  Now you have a character in action.  You can use this sentence as a prompt for generating a scene or a vignette or whatever you need.  Write the sentence at the top of a piece of paper, set a timer and write for 20 minutes without stopping. 

The other thing you can do with blond Tara is put her in the middle of a cluster.  This is hard to describe on a computer, but it is the same thing as Mind-mapping and it is also called webbing or spidering.   Write blond Tara's name in the middle of a piece of paper, and circle it.  Then write another bit of description and draw a line from the circle in the middle to this new bit of description.  Another detail of her appearance goes on the same line.  Then you get an idea about her family–that's a new line.  And perhaps up pops a thought about the conflict she faces–another line.  Pretty soon you will start to have quite a few ideas about ole Tara floating about in your mind.

But ole blond Tara needs a conflict, right?  Here's the fastest way to find her one: either in your clustering or your freewriting, answer the following question:  what does she desperately want or what is she desperately afraid of?  In the case of wanting something,  put obstacles to her getting it in front of her.  In the case of fearing something, make her face it.

Follow these steps and before you know it, you should have Tara waltzing about your novel or story.  Let me know how it works out for you.

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