Make Like a Bird and Sing (A Love Letter)

I’m betraying my age here (which is fine, I’m old and I own it), but when I was younger there was a common saying that people would twist in funny way.  I’m going to make like a banana and split, you’d say when you were leaving.  Or, make like a busboy and get the fork out of here.  Or, make like a tree and leave.  We said them for all kinds of occasions.

Ah, yes, those were simpler times.

But I thought of those sayings the other morning when I was outside writing early in the morning, listening to the birds greet the day as the sun rose over the houses across the street. And I thought, I need to make like a bird and sing.  (Only in my case, sing is a metaphor for write because, trust me, you don’t want to hear me sing.) Or, make like a flower and bloom.  Or, make like an Oregon grape plant that the husband planted against all objections and take over the garden.

My point being: the birds don’t worry about who, if anybody, is listening, or if they are singing it right. The flowers don’t worry about if they look fat in that color of red, or if they are arranged in a way that will be pleasing to everyone.  And the Oregon grape? Well, I’m pretty sure it has world domination in mind but never mind.

Because, wait for it here:  we need to make like a writer and write.  Because like birds singing, flowers blooming, and Oregon grape dominating, that’s what we do. Writers write. Except when we don’t.  Because we worry. About how it will sound, how it looks, is it right? Will the agent I want to submit to like it, how will my readers react, what will my mother think when she reads that sex scene? Did I spell that word right, is the grammar correct, and how do I punctuate a sentence like that?

It gets worse when you start writing professionally (or aspire to) because all of those concerns can be front and center all the time.  You have to push yourself to write fast, to go back to writing for the joy of it—even if you’ll eventually get paid, too.

Because I wager that none of us got into this writing biz because we wanted to fuss and worry over punctuation and sentence structure.  (Okay, I know there are some of you grammar geeks out there shaking your heads.) We got into it because writing, to us, is singing, blooming, growing so marvelously lushly that there’s no room to walk past us on the deck. Am I right? And it really is easy to forget that.

So, next time you sit down to write, remember the birds. And the flowers. And the Oregon grape. Okay, not the Oregon grape. Remember why you do this…and make like a bird and sing.

A love letter about resisting the status quo

There’s a lot of noise in the world at the moment.  Political, and societal to be sure. But there’s also all the information we get from the interwebs constantly, all day and even all night long. And much of it is designed to ensnare us—to click onto the website, read the news story, buy the item, support the cause.

It’s the status quo.

And as writers, it is our job to resist.

But wait, you say.  You need all that information.  You need it in order to have something to write about, you need it to support your WIP (as in research), you need it because you must know what is going on in the world.

Yeah, I hear you. I’m a huge input person.  Next to writing, one of the things I love best in the world is gathering information. Set me up with a topic to research, a pile of books, and access to the internet, and I’m a happy woman.

But, there’s a limit to how much I—and you—can take in before it starts to become a detriment.  Before it starts to affect our concentration levels, and our focus, to say nothing of our emotions and energy, both physical and mental.

Which is why I say you need to resist its lure.

Because when you do, you gain so much. It is difficult in the moment—I’ve had to tell myself not to click over to the internet numerous times as I’ve been writing this—but what I’ve gotten in return is clarity and focus.  And far more enjoyment of the writing process.

And by resisting, you’re claiming your right to be different.  To be a person who stands for writing and creativity and art.  A person who dares to challenge the status quo.  A person who follows her own inner tune.

That’s not always easy in this world, but it is vital.  If you are going to do good work, you need to be able to hear your inner voice and you can only do that if you tune out the noise of the world.

So, let’s do it together. Resist the status quo! Turn to the page instead of the latest news story or blog post. And together we will change the world one word at a time.

Leave me a comment about what you’re writing–and resisting.

(FYI, this originally appeared as my weekly newsletter. If you’d like to get it delivered directly to your inbox, just fill out the form to the right.)

Motivation Monday: Where’s the Joy in It?

Sitting in church yesterday, one word kept popping out at me, even though the message wasn’t really focused on it. And that word was joy. I kept thinking about it in terms of writing. I wondered: where’s the joy in it? Lord knows, writing is a tough business full of rejection and low-paid work. So, is it worth it to keep at if there’s no joy in it? Am I still finding joy in it? Are you?

I am one of those writers who can’t not write.  Even if you told me that I’d never make another penny from my work, never see anything published ever again, I’d still keep writing. I love the puzzle-like fun of putting a novel together and continuing to discover things about my characters. I love the self-discovery that ensues from a good journaling session.  And I love writing about writing (and motivation and inspiration and all that good stuff) in my blog and newsletter.

So yeah, I still find joy in it.  There’s nothing like the feeling I get after a good writing session, when I look up and find myself in love with everything in the world. That’s what sustains me when I get another rejection or I can’t seem to think of a topic for a blog post or the vicissitudes of life keep me away from my writing.

It’s the joy of it.    

The joy of the creative process, of putting words on the page, one after another.  When it is going well, it’s bliss.( Of course, when it’s not going well, it’s hell—but that’s a topic for another day.)  That’s what keeps me going. And I assume, because I’m pretty sure you and I are not so different, that it’s what keeps you going as well.

But what happens if you’ve lost the joy in it? What if you long to write but the fire has gone out?

Here are a few things to try:

–Write fast.  A lack of joy in writing comes from perfectionism, which manifests as laboring over every word.  Short circuit that tendency by vowing to write fast.  Set a timer and see how many words you can get on the page before it goes off. The words don’t have to be pretty, they just have to be on the page.

–Remember that writing is a process.  Too often we get hung up on product.  The joy comes in the process of writing, in that lovely feeling when you are so absorbed that time passes and you’re not even aware of it.  Let yourself focus on the process without worrying about the end result.

–Write any old thing.  If you’ve lost the fire for your novel, write an essay about a topic dear to your heart. If you’re struggling with your memoir, write a short story. Write a poem. Write in your journal.  Write a play or movie script.  Shake those brain cells and neurotransmitters up!

–Take a break.  Tell yourself you can’t write. Can’t work on any of your projects. Can’t journal. If you are anything like me, you like to rebel against yourself, and this is a surefire way to get back to it and kindle some joy.  If you really do end up taking a break, you’ll come back to it with space in your brain and heart to find the joy again.

I hope some of these suggestions help to motivate you. And if you are having a hard time finding the joy, might I suggest that coaching can help? Continuing through midnight on July 4th, I’m running a coaching special.  For three-month, paid in advance clients, I’m offering two free extra sessions.  That’s 14 sessions instead of 12. And for six-month, paid in advance clients, I’m adding on 4 sessions. Woot! That’s 28 sessions instead of 24.  Just think what you can get done in a few months of one-on-one coaching with me. You could get a huge start on your novel. Or finish the project that’s moldering in the drawer. Or start the process of getting an agent—or get your book self published.

Interested? Contact me and let’s chat.

A Love Letter About Writing and Heat Waves

(I’m experimenting with posting my weekly newsletter here on the blog as well. If you’d like to have it delivered right to your inbox, fill out the form to the right. I will never do anything untoward with your information!)

Yesterday it was 97 here. Today it is forecast to be the same.

Now I know many of my readers may exist in more modern conditions than I, as in, you have air conditioning.  But we live in an old house that doesn’t have it. And, at least historically (not so much anymore), we would only get maybe a few days of extreme heat every summer, and so there really wasn’t much need for it. So when it is hot, I suffer. Oh poor me and all that.

But there is still writing to be done, right?  When you are a writer, there is always writing to be done, no matter what.  The baby cries, the cows need milking, the beloved ancient parent needs tending.  But there’s till writing to be done. And so one needs to find a way to do it, in heat waves and cold snaps alike.  And even if you are cossetted from it, extreme heat is still energy-sapping. (For those of you reading this from the Southwest, I hope your terrible temperatures abate soon.) You still have to get from house to car and from car to work and from work to the grocery store.

A couple of summers ago I got in the habit of taking my computer outside and working at the table on the back deck in the cool early mornings.  When the sun hit the fence beside me, I knew my writing time was over for the day because soon it would be shining on my monitor.  It was a lovely way to get my writing done and set myself up for rest of the day.  Later, when I’d be toiling in my hot office, I’d remember my morning sojourn outside and smile.

I often observe how my cats behave in the heat. Mostly, they stretch their fat selves out as far as possible and sleep.  We should emulate them in the heat, right? Ha! Would that we could. But in some parts of the world, they do such things. The other day I was at my daughter’s and we were trying to get my five-year-old grandson to have thirty minutes of quiet time.  Not even a nap, mind you, just quiet time. So I told him about what happens in the small towns of France (and many other European countries).  How every day from noon to two the stores close and every one goes home for a break. Quiet time.  It is a lovely habit and one that can serve the rest of us well during heat waves.  Just allow yourself to take a break once in a while, for goodness sake.

Doing research for my Do That Thing class, I ran across some information last week that said most people spend a good chunk of their precious time worrying about expectations. They feel they must be perfect parents and perfect on the job. And I know for a fact that writers often feel they need to be perfect the second they throw words on the page. This makes my heart hurt. All these harsh expectations we place on ourselves.

And I think the hot days of summer when you don’t feel like doing much of anything are a good time to start practicing slowing down a little. Give yourself a break from those expectations that control you.  Get your writing done in the cool of the morning. Find an air-conditioned coffee shop and camp out there with your computer.  Go easy on yourself.

Do leave a comment about how you beat the heat!

Okay–are you ready for the big news? I have created a Facebook group for us! People are engaging in all kinds of different ways these days, and Facebook is a biggie, obviously.   The group is called Prolific and Prosperous Writers and it is closed, which means any posts you make won’t appear on your personal timeline–that way you have all the freedom in the world to kvetch about your writing without worry that civilians (those who may not understand) will read it. Join here. Please do, I can’t wait to chat there!

Offerings:

Freedom and Independence Coaching Special:

I’m running a Freedom and Independence Coaching special through the Fourth of July.    For three-month, paid in advance clients, I’m offering two free extra sessions.  That’s 14 sessions instead of 12. And for six-month, paid in advance clients, I’m adding on 4 sessions. Woot! That’s 28 sessions instead of 24.  Just think what you can get done in a few months of one-on-one coaching with me. You could get a huge start on your novel. Or finish the project that’s moldering in the drawer. Or start the process of getting an agent—or get your book self published.

Interested? Email me and we’ll set up a time to talk.

My new How to Get an Agent class is on July 11th.  (I moved the date out because I, um, forgot I was going to be out of town.) It’s a one-session class that will tell you everything you need to know about getting an agent, from query and pitch through what to ask when an agent is interested in your work.  Just in time for summer writing conference season, and the class includes an upgrade option for a critique of your query. Find out all the details and sign up here.

Friday Finesse: Writing by Hand

Last weekend at the lunch after my Essence of the Essay class, one of the students asked me if I wrote mostly on the computer, or by hand.  I answered (a bit unpleasantly smugly, I realized later) that I wrote so much content that needed to be on the computer (blog, newsletter, classes, novel) that I’d trained myself to write mostly via keyboard.

But then I started thinking about how much I actually do write by hand.  So a better answer would be that I do both.  When I’m stuck on a scene in my WIP novel, I go directly to the page. I cannot figure stuff out while typing. It has to be by hand.  There’s something about the direct physical connection from brain to hand that opens up a flow in me.  I take a lot of “priming the pump” notes by hand.  And of course, I write in my journal by hand. (Years ago, I had a brief period of keeping a password-protected journal on the computer. It was terrible.)

And I recommend you write by hand, at least once in a while, too. Why? Because writing by hand directly onto the page is a different cognitive process than typing on a keyboard.  As such, it can open up different vistas into your creative work.

In an article in the Guardian a few years ago an expert explained that the process of handwriting is more complicated than typing: “Handwriting is a complex task which requires various skills – feeling the pen and paper, moving the writing implement, and directing movement by thought,” says Edouard Gentaz, professor of developmental psychology at the University of Geneva.

And as the article further points out, with the physical page, you can write in all kinds of ways. You can scribble notes in margins, write upside down, turn the paper sideways and write, doodle as you write.  This is a boon to your creativity and allows your brain to expand in many directions.  One more benefit–you have proof right in front of you of what you’ve done.  Yes, you can edit on the computer, but off go the corrections as soon as you’ve made them.

For a great infographic on some of these ideas, check out this page.

So I encourage you to foster some hand-writing habits, at least part of the time. (I’m certainly not advocating writing your novel draft entirely by hand—though some writers do just that.)  And let me know what new vistas it unlocks.

Meanwhile, if you are in need of unlocking new vistas, I’m running a Freedom and Independence Coaching special through the Fourth of July.    For three-month, paid in advance clients, I’m offering two free extra sessions.  That’s 14 sessions instead of 12. And for six-month, paid in advance clients, I’m adding on 4 sessions. Woot! That’s 28 sessions instead of 24.  Just think what you can get done in a few months of one-on-one coaching with me. You could get a huge start on your novel. Or finish the project that’s moldering in the drawer. Or start the process of getting an agent—or get your book self published.

Interested? Email me and we’ll set up a time to talk.

Tuesday Tip: Remember, it’s called a rough draft for a reason

I’m going back through the second draft of my WIP novel, checking for places where I have to drop things in. Most of these are little things, like another mention of a physical object that figures in the plot (in this case, a necklace), or pumping up a description that didn’t get fully mounted on the page.

But in one instance, I have a whole chapter to drop in. (Because, um, it features an important character that I failed to show anywhere in the novel. Duh.)

So this means I am writing rough draft material again for the first time in a couple of months. I’ve been rewriting and editing and getting the draft ready for beta readers. (Soon!)

And this morning I found myself laboring over every word.

WTF! I know better than this.  A rough draft is just that–the draft of a chapter or story or essay that is in its rough stages.  And just because the rest of my novel is almost ready for other eyes, doesn’t mean that this chapter needs to be.

I had to remind myself to just put the words on the page.  Let them rip. Write fast. Don’t worry about how “good” the words are once they land. Just get the damned thing written!

And that is my Tuesday tip for you–let the writing of your rough draft stink. Make it awful. Require it to be. Because once you’ve gotten those words on the page, you’ve got treasure with which to work.  You can rewrite and revise and edit to your heart’s content.  But not yet.

Remember there’s a reason it is called a rough draft and let it be, well…rough.

What to Do When You Finish a Draft

I finished draft two of my romance novel this past weekend. Woot woot! It still needs work so there was no dancing in the streets or swinging from chandeliers. Just a quiet sigh of pleasure.  And there’s always a bit of confusion as I ponder, what do I do next? So I figured a blog post about just that topic was in order.

Let it rest.  Simmer, marinate, compost, whatever you want to call it, your brain needs time to do it.  You’ve been close to this baby–so close–for months or even longer now. You’ve got to get away and get some distance from it.  Give yourself a few days, preferably at least a week. Go off and don’t think about it.  Let your subconscious do that while you’re busy playing golf or making soap or doing something, anything but working on your novel.

Decide what happens next.  (You can do this while it is composting.)  Was this your first time through, also known as the discovery draft, the rough draft,  or Shitty First Draft?  If so you likely have at least one more draft that you’re going to need to write.  But if it is your third or fourth draft, you may be pondering getting it out in the world. So, at his po9int you have a choice to either:

Write another draft or carry on.  Let’s discuss writing another draft first.  

First, of course, you’re going to re-read it. Duh. As you read, make notes. I use the post-it note method for flexibility. You can read about that and my entire theory of rewriting here.  I like to keep notes of things that I’ll need to put in next time through, ideas that will make the plot stronger, additions to character arcs.  Go through these and see what you’ve got.

Sometimes, this is a matter of going through and dropping things in. For instance, you may have decided on a physical object that is of importance to your protagonist, but you only figure this out fifteen chapters in. So now you need to go back and salt it in a couple times earlier.  These are fairly easily accomplished (once you figure out where they go.)

Do these easy run-throughs first and then see where you are. If you are several drafts in, or an excellent first-drafter, you may well feel very pleased with your work, and ready to take the next step.  And so, ta-da, it is time to get some fresh eyes on it.  You may have a trusted family member who reads all your work, or an agent or editor you work with.  Or perhaps you need to find you some:

Beta Readers.  These are the most wonderful of creatures, those lovelies who will read your book in its current form and give you feedback on it.  You can find them among friends and family (as long as they promise to be honest), amid your writer friends, or on social media.  Some of you may already have a trusted group who read your every release.  Take their ideas and incorporate them or not as you see fit and get ready to carry on. Woo-hoo! Almost there!

Here you have another choice point.  (You probably already know the answer to this.) Are you looking for a traditional publisher or will you publish yourself?

If you are going to self-publish, you will need to find an editor, formatter (or learn to do it yourself), and cover designer.  Don’t skimp on any of these, because they can make or break a book’s release.  You want your book to stand out from the crowd and actually get purchased, and going the cheap route is not going to do you any favors. Trust me.

And, if you are going to seek traditional publication, you will need to search for an agent. Fun times.  It is a process that basically involves writing a query letter, researching agents, and then submitting to them. And a whole lot more. All of which I am going to cover in my upcoming How to Get an Agent class.  Which you can read more about here.  Summer writing conferences are coming up, with opportunities to pitch, so why not learn all you can about the process and present your work in its best light?

Good luck with whatever stage you are in! And please leave a comment and let me know what draft you’re on and how you’re feeling about it.

On Discovery Drafts and Writing Fast

In case you hadn’t noticed, writing fast has become quite the thing lately.  This is for a variety of reasons, not the least of which is that, if you want to indie publish, your fans expect you to pump books out one after another.  And you can’t maintain that pace if you write slowly.

Writing Fast

But I think it is also because writing fast works.  Again for a variety of reasons:

–When you write fast, you access the subconscious mind, bypassing the conscious mind which tends to be, um, critical.

–When you write fast, you get something, anything, down on paper. And once you have something down on paper, then you have something to work with.

–When you write fast, you bypass perfectionism.  And let me tell you, perfectionism breeds procrastination big time. Because if you’re putting yourself under pressure to be perfect, you’ll think of 5,000 other things you’d rather be doing.

–And besides, writing fast is fun!

It’s when you get to revision that the hard work begins.  Which I am learning as I take the first draft of my novel, which I wrote really fast, just working to get the story on paper.  Which leads us to…

The Discovery Draft

You’ll often hear the first draft of a novel (or a story, or a memoir, or anything) called different things. Like a rough draft, or a discovery draft. I’m guilty of most often calling it a rough draft, though I think the term discovery draft does it more justice. Because the most important thing to remember is that you are discovering the story.

You are not:

–Worrying about every comma and period.

–Fussing over not knowing everything.  Instead, when you get to a place you don’t know something, you insert a TK and keep going. (Using TK allows you to do an easy search at the end.)

–Stopping writing for a month when you don’t know what happens next. Instead you start writing where you do know what happens.

–Reading back over your work and editing as you go. Forward motion is the name of the game.

In other words, you are writing fast, getting the story down.  The discovery draft is for you to discover the story. Subsequent drafts are for you to figure out how best to present the story.

I am currently rewriting a discovery draft of a romance novel I finished in February, though in this case, the word rough really does apply.  There are vast stretches where I’m not exactly sure how it all goes together, and these pages are full of TKs and all caps notes to myself.  There’s lots of cursing and name-calling in those all cap sentences.  Not that it does much good to call myself names and tell myself what a terrible writer I am. But it does the trick to get those thoughts out of my head so I can keep going.

What I’m finding, though, is that the bones of the story are strong. I’m rearranging like crazy, dramatizing long stretches of narrative that were flat on the page, and making the characters more complex.  But my discovery draft, written fast, captured the story I wanted to tell.

So the moral of the story is: don’t agonize over every word.  Produce those pages and get to the end of your discovery draft. You’ll be happy you did!

Should you need help with your discovery drafts, learning how to write fast, or any aspect of your writing, I’ve got a couple of spots open in my coaching.  Pop me an email and we’ll set up a time to talk!

Photo by hisks.

Ten Year Blog Anniversary

Yep, as of two days ago, March 26th, it’s been ten years since I began this blog.  I can’t believe it, either. There’s now nearly 1500 posts on this blog, which is stunning to me also.  While I now do my best to blog twice a week, there was a time back in the day when I managed a post every day. God only knows how I did that.

But this blog has been the centerpiece of my writing career for those ten years and I’m proud of it. I’ve gotten countless clients and tons of new friends from it.  And I continue to learn as much from writing it as I hope you do from reading it.  Some of you have actually been reading me since the beginning, and I thank you for that. It truly means the world to me.

I often tell clients this story to encourage them: when I first started this blog, I remember telling my son about it. But then I quickly said, “But don’t go read it.” I was too uncertain about it, too nervous to have my words out in the world, not sure it would amount to anything.   And here I am, ten years later, still putting words out there.  So I mean it when I say that if I can do it, you can, too.  And that applies to any aspect of writing.

Over those ten years, I’ve worked with dozens of writers one-on-one, taught numerous classes, started and maintained a business hosting workshops in France, published a novel, gotten an agent, written more fiction which will soon see the light of day, written articles, had stories published in anthologies, and scribbled lord knows how many pages in my journals.  I’ve traveled regularly to Nashville, L.A.,the Oregon Coast, and France, been to New York City and Barcelona once, and Seattle numerous times.  I’ve said goodbye to three good pugs, managed to live with two very fat and opinionated cats, and I’ve stayed married to the same very patient man.  I lost my mother, but gained a son-in-law and a daughter-in-law, and fast on their heels, four grandchildren.

It’s been a busy ten years, and I am a lucky woman.

I thought it would be fun to include my very first post in this anniversary, so here it is:

Beginnings

My friend Sue (one of my Nashville peeps) and I have both recently started re-writing our novels.  Today she emailed me and asked what I knew about first chapters.   I told her one thing I know about first chapters is that they are hard–hard because a first chapter is the foundation for everything that is to follow.

First paragraphs in articles are hard, too.  Usually (okay, always) I must have my first paragraph set before the rest of an article will flow, and its for the same reason–all the words that follow depend on  the firm foundation of the first paragraph.

So, too, with first entries in a blog, like this one. It logically (though logic is not my strong suit, despite my love of Sudoku) follows that the premiere post should be a strong basis for all the missives to come.  It should delineate the themes of the blog, be witty and erudite, and make people want to keep coming back for more. Which makes it really hard, just like writing the first chapter of a novel.  The difference being that by the time a novel gets published, that first chapter will have been rewritten a gazillion times, and the essence of a blog is daily communication. So, to heck with it.  I’ll forget about strong foundations and all that and just dive right in.

After all, one of my fondly held beliefs is that process is more important than product, at least while one is the middle of the process of creating a product.  Its so easy to get caught up in thoughts of the product–does it sound right? will people like it? is it good?–that it can paralyze you while you are trying to be engrossed in the process.  And conversely, there’s nothing better in the whole world than those times when you are so caught up in the writing process that two hours pass like two minutes. 

This blog will focus on process, and words, and how to produce a lot of them, and a whole lot more.  After all, the word strumpet means prostitute and the word prostitute means, according to Webster’s, a woman who engages in promiscuous sexual intercourse, especially for money.  As a word strumpet, I engage in promiscuous writing activity, especially, but certainly not solely, for money. Strumpet that I am, I can’t get enough of words, can’t get enough of writing. 

Hence, the blog, which will not only serve as a forum to produce more words but hopefully provoke comment.  Because another one of my firmly held beliefs is that writing is communication, and communication is a loop.  If any part of the loop is broken, something is missing, which is why writers whine a lot about how hard it is to get published.    So I am casting my words into the circle and you can keep the circle unbroken by writing back with comments.

Until then, as always, I’ll just be here writing.

And I gotta say, for all the other changes in my life, one thing has remained the same: I’m still just here, writing.

Five on Friday: Raining Again

What I’m Complaining About: The weather. Again. I’m sorry. It has been a really long winter here. My husband looked at the weather app on his phone this morning and said the forecast was for a clear day on April 9th. Sigh.

What I’m Watching: In the category of We’re Old and Clueless About Technology, we finally got our Amazon Fire stick working with the TV (thank you daughter-in-law, who fixed it in, oh, two seconds).  And wow, are there are a lot of great things being produced by Amazon.  We’ve watched three of four of Z: The Beginning of Everything, about Zelda Fitzgerald.  It stars Christina Ricci as Zelda, and if you thought of her mostly from The Addams Family, you’re in for a surprise, as I was.

What I’m Reading: Finishing up the Rachael Herron book from last week. I’ve been out several nights this week and haven’t had a lot of time to read. Also, I have this bad habit of reading magazines at lunchtime.   But I’m now reading as fast as I can because a crop of great books just came in for me at the library: the first Maisie Dobbs novel, The Underground Railroad, and Scratch, which is an anthology about writers and money. Speaking of which, I see library fines in my future because none of these are renewable. I consider my library fines my contribute to their existence. We have one of the best and busiest library systems in the country here, and I use it lavishly.

What I’m Doing This Weekend: Working on taxes.  It is going to rain all weekend anyway. This is a cheery post, isn’t it?

What I Re-learned This Week:  That when you stall on writing a story, and something is bugging you, there’s a reason for it.  If something doesn’t feel right, it isn’t.  Most often my experience is that the scene is set in the wrong location.  That was the case for me this week.  I was also wrestling with whether to set the scene in real time or backstory. Both have big disadvantages.  But finally this morning, as I was driving in my jammies home from dropping my husband at the light rail station, I thought of an entirely new place to set the scene–and that opened it all up. I’m happy now. The weekend may proceed.

What’s up with you? What are you reading, watching, working on?  Tell me interesting things.

Photo by Scott Robinson.