I kind of love the word miscellany, whose official definition according to the Google is ” a group or collection of different items, a mixture.” It sounds charming and old-school and like it would be said by a schoolmarm wearing a Little House on the Prairie outfit. And honestly? The word and all its implications is way more grandiose than the collection of items I have for you today.
Which all have to do with me. I hope that still makes them a miscellany. Anyway:
Thing #1: I’m doing a special love-themed reading in honor of Valentine’s Day at my favorite Portland bookstore, Another Read Through. The date is February 13th, from 1:30 – 3 and I’m appearing with several other local authors. Since the theme is love, I’m pondering reading the sex scene from Emma Jean’s Bad Behavior. (Which for reasons unknown to me is selling in the used section of Amazon for $58 and up, even though it is still available new.)
And since this is a miscellany, I’ll tell you a funny story about the sex scene, besides that it was the one thing agents commented on over and over when I was shopping the novel. Anyway, my daughter and son-in-law have a habit of reading books out loud to each other in the evenings (at least they did, before they managed to produce two boy children). It was Russell who read the sex scene out loud and when he was finished, put the book done and was silent for a moment, then said, “My mother-in-law wrote that. Not sure how I feel about that.”
But reading it out loud in the comfort of your own home and reading it out loud in front of a group of people are two different things. So I’ll probably chicken out.
Thing #2: The very next weekend, in the very same location, my biz partner Debbie and I will be presenting the second round of our workshop, The Ins and Outs of Publishing. It is a day-long workshop with lunch provided and our first group loved it and learned a lot. We cover the entirety of the publishing world and bring in our friend Angela Sanders to cover self publishing. You can read more here. But let me also add that the bookstore is a great spot to hold a workshop. Elisa has a cool upstairs loft that we use and we sit surrounded by the mystery section. I dare you to attend and not buy a pile of books (since the bookstore is mostly used, you can go home with a stack for not that much money).
So that’s it, that’s my miscellany. And now I am off to the bi-weekly writing group, loosely called Wednesday Writers, that Debbie and I torture run.
The crowd of writers probably will not be quite this rowdy.
As you read this post, I will be attending the annual Associated Writer's Programs conference in Seattle, more commonly known as AWP. Rumor has it that 11,000 writers will be there, though I'm a bit suspicious of that number. (I've had numerous people, writers among them, ask me what on earth an AWP is, so here's an explanation: it's the organization that all the university writing programs belong to, and it also hosts a massive book fair of independent presses and journals.)
I've been to AWP four or five times in the past, in such disparate locations as Baltimore, Chicago (twice) and New York City. It is always a blast to be around a bunch of other writers (the bars are crowded all day long) and wonderful to sit in on various panel discussions and presentations. One year I even presented on a panel–biggest crowd I've ever spoken in front of, and it was pretty great.
Anyway….all this has got me thinking about how important connecting is to writers. After all, independent ad solitary by nature, we like to sit in our rooms and write, so connecting may not be uppermost on your list of goals. But I've always found that writers, once they get unchained from their desks, are the most interesting people in the world. That's reason enough to connect with other writers, but you'll also find a sense of belonging that only talking shop with other knowledgeable souls can bring. When you get stuck or discouraged, or face another rejection, you'll know someone you can call on who will understand. (Because, let's face it, non-writers just don't get so many aspects of our lives.)
I've had several students and clients, though, ask me how they can get connected to other writers. This post is my answer. Here you go:
1. Conferences. These tend to be big and glitzy and lots of fun. You can take workshops on all aspects of writing, meet agents and editors, and kibbutz with other writers. Some conferences also offer workshop components. Many conferences tend to be held in the summer, so now is the time to plan to attend. Look to Shaw Guides,Poets & Writers,Writer's Digest and The Writer for information on writer's conferences.
2. Workshops. I'm arbitrarily naming these workshops, for gatherings that will be smaller and more intimate. While a conference may host hundreds or even thousands, a workshop can be as small as 6 participants. Most often, there is a teaching component as well as a chance to share and discuss your own work. I offer workshops through my business Let's Go Write, and our next one, in September will be in Pezenas, France.
3. Retreats. Many organized retreats for writers exist. I used to be on the staff of one in Nashville that featured a few scheduled events and lots and lots of time to write. It filled up every time we held it! There's something about getting away from your ordinary life that encourages writing. If you can't find an organized retreat to your liking, create your own–hide out in a motel room for a few days, or rent a room for AirBnB. It doesn't take much to make a writer happy–computer, pen, notepad and lots of coffee and you're set. Okay, maybe some wine for the end of the day, too.
4. Ongoing Writer's Groups. I'm talking about critique groups that meet to discuss work. Some are led, i.e. you pay someone money to guide the evening, and others are informally organized. I'm a huge fan of these. I've belonging to two very-long running groups, one informal, the other led and I actually co-lead a group now. I also belong to a small ( 4 person) informal group that I organized last year. Not only will you get some good feedback on your work, you'll most likely make a few writing friends as well.
5. Beta Readers. Many writers I know make a habit of assembling a group of beta readers to send their work to when they've finished a draft. This may not have quite the same degree of connection as in-person contact, but it is still a form of community.
6. Crit Partners. Other writers limit their criticism to one crit partner. I can't speak to this process or how it fosters connection as I've never done it, but I hear good things about it from others who have.
7. Local Writing Associations. Here in Portland, we have two largish and very active writing associations who sponsor conferences, regular meetings with speakers, workshops, and readings. When I first started writing years ago, attending Willamette Writers meetings is how I first met other writers. From there I became active in the group, found an ongoing writer's group and my path was set.
8. Readings. Most bookstores offer regular readings. Go attend them! Not only will you be supporting other writers, but there's a good chance you'll meet a few while there. At the very least, you'll hear some good words being read.
9. Classes. And, of course, you can always take a class. The first writing class I ever took was at a local community college, led by the wonderful (and under-read) Craig Lesley. That was where I first experienced a workshop-style reading of my work. There are many private classes as well, and don't forget certificate programs such as the one I teach at, The Loft.
10. Online friends. Through Twitter, other social media, and this blog, I've made many connections with other writers that I treasure. Don't be shy–dive in! I love the way I can communicate with other writers I'd never otherwise meet online.
So those are the ideas that spring to my mind. What about you? What are you favorite ways to connect with other writers?