But I Get To Write About It
Reason Number Gazillion why its great to be a writer: because no matter what happens, you get to write about it. When your heart is broken and life sucks, at least you get to write about it. And the worse the things that happen to you, the better story they will make. What other enterprise offers such a fabulous inverse proportion of bad to good?
In writing about it, you will distill it down and see what the true story is. From this, you'll be able to make something of the experience. The solace of this is immeasurable, and I'm not sure how people who don't write exit without it.
Even if the experience doesn't make it directly into the pages of my journal, odds are good that it will be transmuted into a character in a novel or a story, or somehow filter into a blog post, or even color what I write to a student. One way or another, writing is alchemy.
The only thing I remember from Natalie Goldberg's Writing Down the Bones is the anecdote she tells about a fellow writer about to get mugged on the streets of New York. "Don't hurt me, I'm a writer!" the friend yelled. I imagine the writer friend said that because she needed to write about the experience.
I just remembered another thing from the book (Reason Number Gazillion and One to write: it helps you remember things): how Goldberg, or one of her friends always said that writers live twice. You get this, of course, but I'll explain it anyway. Writers live twice because we experience the event and then we get to write about it. Sometimes it is difficult to say which is the more pleasurable.
So, in these precarious times, give thanks that you are a writer. And, when the check doesn't come in the mail, the man doesn't email, the weight doesn't budge, the words won't flow, the figures don't add up, just remember: at least you get to write about it.