Yesterday, I wrote about the fabulous workshop that Darnell Arnoult gave for the Loft and talked about how she presented an exercise called "Finding Fiction in a Photo," wherein we looked at pictures (amazingly enough) for a full five minutes and then wrote about them.
I can't express how important this kind of deep connection with an
image or piece of writing can be to your work. I started my free-lance writing career
writing about art. Wrote a few facile articles that got published and
then had the great good luck to get assigned to a very hard-ass
editor. One of the first pieces I wrote for her she rejected, and told
me to go back to the gallery and start over. She insisted that I go
back to the gallery and look at the paintings until they gave up their
secrets and I knew enough about those secrets to write about them.
(By the way, that assignment resulted in one of my all-time favorite lines I've ever written in an article: "Watercolors, like earth girls, are easy." Yes, this was a very long time ago, a couple years ago after the release of the Geena Davis movie, Earth Girls Are Easy. There are probably some of you reading this who haven't ever heard of it. Lord, there might be some of you reading this who were not yet born when that movie came out. But no matter how old you are, you must admit–best line ever.)
so I learned to deconstruct art by looking at it–truly looking at it.
Anybody who has ever taken art history will be familiar with the
process. I'd taken a year of art history in college, one of the best
things I ever did, and so once I allowed myself to sink into the
paintings I had to write about, I remembered studying art history
slides and doing the same thing. And soon I recalled how much I had gleaned from all those late nights of leafing through Jansen's, History of Art and memorizing the details. (I still have that book–it is smoke damaged and water stained from having lived through a fire but I couldn't bear to give it up.)
When I began my MFA program,
years later, and needed to learn to deconstruct pieces of writing in
order to write about them these experiences served me well. My dear
friend Cate McGowan, who had majored in art history, and I agreed that
a firm grounding in the field is actually a very fine training ground
for writing. One cornerstone of a good MFA program is writing critical essays about literature, the theory being that one of the best ways to learn about writing is to read it, and my art history and writing about art background gave me a way into to do this. I was accustomed to staring at paintings and sculpture and now I could transfer those skills and stare at literature until it, too, gave up its secrets.
So if you're stuck or blocked, don't overlook the idea of finding a photo or image to write about. One great source for this is the Google image search. You can find all kinds of cool photos on that. Choose one, stare at it until it gives up its secrets (which may be quite awhile) and then start writing about it.