Travel

While She Was Out

PrintshopI grew up partially in my Dad's printing plant.  One of the many things I loved about that was hanging out in the front office, which was cleaner and more organized than the rest of the shop, but not by much.  And one of the best things about the office was the office supplies.  I particularly loved the pads of paper headlined "While You Were Out" with handy pre-printed lines to write the message on. I LOVED those pads.  

Alas, they did not survive.  But check out the photo to the left of some simple scratch pads that did. The business itself did not survive the onset on computerized printing in the eighties, and went bankrupt.  Tough times.  But I digress.

Because the point is that I will be out.  Overseas. Across the pond. Gone fishing.  Whatever.  It is time for the annual Let's Go Write workshop in France, this year in Collioure.  Last year, I think I actually managed to post once or twice, but maybe I just made that up.  It might well happen this year, too.  

But I have also made provisions for while I am out.  I have lined up a couple of fun oldie but goodie posts from the archives, written and scheduled a couple of new ones, and also created a couple of link posts that I think you'll like, drawing on the eight years of content (and 1266 posts) from this blog. So there you have it.  All will not be lost.  There will be a dim shadow of a Charlotte here.

But, alas, I've put the Inventive Writing Prompt blog and weekly posts on hiatus until I get back. But don't despair.  As of this writing, there are 392 prompts there, so that ought to keep you busy for awhile.

One more thing–don't forget that my Get Your Novel Written Now class starts in October, and I've extended the early bird registration until I get back so go SIGN UP NOW.

5 Things on Friday: Feeling Frazzled Edition

Paris-parigi-eiffelturm-1577018-lWhy I'm Frazzled: BECAUSE I'M LEAVING FOR EUROPE ON TUESDAY. That's why.

What I'm Reading: Same thing I was reading last week, The Surrender Experiment, by Michael Singer.  I'm about 10 pages from the end, and was going to finish it at lunchtime but then the phone rang and I got distracted.  But, for your curiousity pleasure, here is a list of books I've downloaded to take with me:

The Last Time I Was Me, by Cathy Lamb

My Very Best Friend, by Cathy Lamb

(She's a Portland author and when I learned from a friend at church that she had stayed up until 4 in the morning reading Lamb's most recent book, I decided to check her out.)

Splinters of Light, by Rachael Herron (love her!

Seveneves by Neal Stephenson (love me a good science fiction read every so often and this one is loooong–great to take on a long flight)

There's no way I'll get all of those read, especially because last year on the way home from Paris I discovered that watching movies back to back makes the time pass really quickly, and when I'm traveling I don't read as much.  But I like to be prepared.  Because, what if the Iceland volcano blows and we're stuck in Europe? (We should be so lucky.) I will need books to read.

What I Have Left to Do Before I Leave: Host one family dinner, engage in a board of directors bonding outing, attend one birthday party, finish reading one manuscript, exchange one cardigan, write two newsletters, get my hair cut, and pack.  That's not so bad, is it?  Is it?

What I Love This Week: My new phone.  The Samsung Galaxy S4 Note.  It has a stylus!  A freaking stylus!  I went to the AT&T store on Saturday and ordered it.  (Wasn't in stock, small store.) Had great service there.  Went to a different AT&T store on Wednesday where they could do a data transfer and had, um, shall we way, interesting service.  As in, all the worker people telling me, "You're switching from an Iphone to a Galaxy? Girl! You're going to be back in here telling us you want your Iphone back."  Also telling me I have way too many contacts (Is 323 really that many? I didn't think so, either.) And so on.  Hear me now: I WILL NOT BE IN THERE TO SWITCH BACK. Because I'm stubborn that way.  And because I love my new phone.

What Will Happen to This Blog While I'm Gone: Read my post Monday to find out.

Happy weekend! What are you doing this weekend?  Something fun?

Photo by al lannin.

How to Write While Traveling (Or Otherwise Distracted): 7 Strategies

JournalAugust2015

The best travel journal ever

I am distracted. My thoughts, I will admit, are on Europe these days.  Because, I WILL BE THERE IN LESS THAN TWO WEEKS.  So I am distracted.  And when I am there I will be distracted.  (Because, Barcelona, people.  Paris.  Collioure.)  

And yet, I am still doing my best to write regularly. Why? Because I am a masochist.  No, really, its because I feel weird when I'm not writing.  Antsy.  A little anxious.  Like something is missing in my life.  Like my best friend is gone. (I felt this way for a year after I quit smoking but that's another story.)

I just feel better when I am writing, period.

You may be distracted, too.  By summertime travel.  Or small children (as I used to be 24-7 for what seemed an eternity and now am again whenever my beloved grown children can cajole me to babysit their children, which is, ahem, often). Or those pesky day jobs.  Or caring for an aging parent.  Or any number of the things that we deal with in life.

I know plenty of people who just set their writing aside when they get overwhelmed with distraction. But I'm here to advocate that you do not do this.  Because time is precious, and short. Because if you set your writing project aside, when you return to it, you'll have to spend lots of that precious time getting yourself up to speed.  And because, writers write.  Period.

So how shall we manage when the baby wakes up at 3 AM crying, or the hospital calls to tell you your mother has just arrived in the ER again, or you have to stay at work until 11 to finish something? Or you just might get to go to an exotic foreign land?  Here's how:

Use what you've got in front of you.  When you're traveling, this is obvious.  Everything is bright and shiny and new and different and it is relatively easy to write about it.  But it might not be so evident with the less positive distractions in your life.  So, write about how exhausted you are as the mother of a newborn, how worried you are about your parent, how much you loathe your job.  Of such conflicts many books have been born.

Take advantage of odd bits of time. Because, they may be all you have.  So maybe you've got a chunk of time while you are riding the high-speed train from Paris to Perpignan but you fall asleep because you're so jet-lagged so you only end up having twenty minutes.  Or you have fifteen minutes in the morning when you wake up before the rest of the house.  I know it doesn't seem like much, but let me share a little secret: I get more done with I have less time.  On the days when I have all day to write I fart around.  I tell myself I've got plenty of time to get to it and so I don't.  But if I know I only have thirty minutes, chop chop, I'm at the page.

Carry pen and paper with you everywhere.  Because you never know when you'll have a window of opportunity open up.  (Get a load of my adorable new carry-around-in-my-travel-bag journal above.)  Maybe there will be a bit of time when you arrive to pick your daughter up from soccer practice early.  (I knew a woman who wrote a novel this way.) Whip out your pen and paper.   You know the drill.  But it is worth reminding you because recently I found myself without a pen, which was a shocking state of affairs.

Remind yourself why you love writing.  And why it is important to you.  And thus why you are going to take just a few–a very few minutes–out of the 1440 we have every day to engage in it.  I can't answer this for you, but you can.  And while you are busy doing so, you might also write about–or ponder–why you love the project you're working on.

Quit worrying about not writing.  Because, what you resist, persists.  What you focus on grows. So stop worrying about not writing and use that energy to write.  A brief story: when my son, now a strapping man with a great job and the most adorable little girl in the whole history of the world, was a child, he used to complain and moan about cleaning his room.  And I always told him that if he just put the energy he was using to whine into cleaning, his room would be finished in a jiffy.  I think a lot of us are like that.  We spend so much time thinking about why we're not doing something, we forget we could be using that time to do it.

Just take notes.  Or make lists of things you want to remember.  Years ago, on a trip to Mexico, I made lists of the things I wanted to remember: the way the jungle pressed in on the resort, the flamingoes in the pool by the lobby bar (where they made the good, strong drinks), the terror I felt as I tried paragliding.  I didn't have time to journal, but I took good notes.  And came home and wrote a story about it, which you can actually read here.

If all else fails, have yourself a good think.  You're gazing out the window of the plane.  Think about your plot.  You're rocking the baby in the middle of the night.  Figure out your main character's backstory.  You're sitting by a hospital bed.  Ponder deep themes.  I believe that thinking is highly underrated for writers.  But the trick is to keep your brain on the plot, not the glass of wine and delicious dinner you're going to have when you get to Paris.

Those are my suggestions.  What about you?  How do you deal with distractions?  Leave a comment!

Are You a Right-Brain or Left-Brain Dominant Writer?

ElliottBayBooks

A Stack 'O Writing Books

I learned a different way of looking at my writing this weekend, a way that I think will help inform how I plan and plot a novel. (One of the things I love best about writing is that there's always something new to learn.  It's impossible to be bored by it.) I'm thinking this thing will help you, too, so let's discuss.  But first, some background.

This past weekend, I went to Seattle with my daughter.  We took the train up and back (the best way to travel), stayed in the Roosevelt Hotel downtown, and reconnected with an old friend and met her new family.  (One of the most adorable two-year-olds on the planet, second only to my own granddaughter.)

One of the best times we had was Saturday afternoon, when we hung out at the new (to us) location of Elliott Bay Books.  The bookstore is dotted with large tables at which you can while away the afternoon.  Which is exactly what we did. It felt like the height of luxury to spend a couple of hours doing nothing but looking at books.  My daughter perused books from the design section, and I pulled out stack after stack of titles from the writing section.  I read through many of them,  took notes from some, and ended up buying two:

Naming the World, and other exercises for the creative writer, edited by Bret Anthony Johnston.  I remember being at AWP years ago right when this book came out. It is comprised of brief essays and accompanying writing exercises from a wide variety of writers.  I'm always looking for exercises for myself and my students–I'm not sure why I haven't bought this one earlier.  It is excellent.  (I especially love the section of Daily Warm-ups at the back.)

PlotWhispererThe Plot Whisperer, by Martha Alderson.  I've read her blog, but for some reason shied away from the book, which has been out a few years.  I'm only a short way in, but the book is excellent.  And the thing that has grabbed my attention is the distinction she makes between left-brain dominant writers and right-brain dominant writers.  To wit:

The left-brained writer thinks in language more often than images and is quite comfortable with action.  He might also be analytical and detail-oriented.  Alderson says that if you crave action and "spew out dialogue at will" you are a left-brained writer.

The right-brained writer thinks in pictures rather than language and likely starts his writing developing characters or emotional moments in the story.  He takes a more intuitive approach.  If you fall in love with your characters and love to ponder theme and meaning, you are more right-brain oriented.

Raise your hand if you recognize yourself in one of the descriptions above.  Me! Choose me!  I'm a right-brained writer through and through.  I can't think of a novel or story I've written that didn't start with a character, and because of this I also have a few abandoned stories littering my computer, because I didn't know how to develop action for the character.

It doesn't matter which one you are, but it helps to figure that out from the get-go.  Because just as I've struggled with action in my stories, the left-brained writer will struggle with getting character emotion and detail into her work.  And if you know that going in, you'll know where your weaknesses lie and you can figure out how to correct them.

You'll know that if your left brain tends to be more dominant, you'll need to learn to focus on character, imagery, and emotion.  Conversely, if your right brain rules the roost, you'll have to focus on plot and goal and structure.  (There are ways to do this without freaking yourself out.)

Alderson has an interesting offer on her website.  (I'm in no way affiliated with her, just intrigued by the info she's presenting.)  It's called Writing a Story Takes You on an Epic Journey, and since it is in beta, it is really inexpensive (like $14.99, amazing). 

So that's what I learned this weekend.  Does the concept of left-brain dominant and right-brain dominant writers resonate with you?  Which are you? Do discuss in the comments.

All images are by moi.  I've been using Instagram a lot lately.  Come follow me there, why don't you?

From Spark to Story Workshop Report

SBCApril2015

Scarritt Bennett Center

I am back from Nashville, y'all.  

I went there to teach a workshop with my good writing friend Terry Price.  We called it From Spark to Story, and planned it to be just that: a journey from gathering inspiration, to getting it onto the page, to shaping it into a story.  

It worked brilliantly.

Well, okay, so maybe I exaggerate just a little.  But the 17 people who were there (20 signed up but several had last minute snafus) seemed to enjoy it and get a lot out of it.  And I know that Terry and I loved teaching it.  Here are some of my main take-aways:

–15 minutes a day is all it takes.  Both Terry and I came to this separately and planned to present it as a method to find your way back to your writing and, just as important, sustain a writing practice. It resonated deeply with the participants, and many of them tweeted and posted on Facebook on Sunday morning that they'd done their 15 minutes.  (We created a hashtag for it if you're so inclined: #15minsday.)

If you were to, starting now, write 15 minutes a day every day you could have a novel written in a year.  Really.  I'm not kidding.  Do the math.  And the other thing is that often when you tell yourself all you have to do is 15 minutes, you get so engrossed that you end up writing longer.  But that's not even necessary.

–Prompts are good.  We worked some with a variety of prompts on Friday night and Saturday morning and our writers found them useful as portals to all kinds of inspiration and epiphanies.  So often writers sniff at prompts as being the province of beginners, but I use them all the time (hence, my prompt blog).  If you've not had luck with them in the past, try again.  Just remember to keep your pen moving across the page.  Its when you stop to ponder and stare out the window that prompts aren't as effective.

–Clustering can unleash you from your left brain.  More often now called mind-mapping (I like clustering better), this technique was popularized by the late Gabriel Rico in her book Writing the Natural Way.  To tell you the truth, I'd forgotten about it, but Terry is a fan and he made people try it.  Since I was icing my foot (I had a terrible attack of plantar fascitis while there) I didn't do it in the workshop, but I've been playing with it since and I can see its value.  Give it a whirl.

–Get thee to a labyrinth.  Scarritt Bennett Center, where I stayed, and where we held the workshop, has a labyrinth modeled on the one at Chartes, France.  It is a marvelous creativity jogger.  You ask a question or think of a problem before you enter, walk to the center, pause to listen, then walk back out again.  Note that a labyrinth is different from a maze.  With a maze, you're trying to find your way out.  With a labyrinth, you're finding your way in.  Take a journal with you because you'll likely have an inspiration or two to write down.  It has never failed me yet.  To find a labyrinth in your area, try Labyrinth Locator.

I'm sure more thoughts will bubble up over the next few days and weeks and I'll report.  For me, it was a rejuvenating experience to be back in Nashville and reconnect with a city I love and so many of the people I know and love who live there.  Southern hospitality truly is the most generous in the world and I've always been welcomed so warmly.

And stay tuned–because we are cooking up a Spark to Story Part Two to be held in the near future!

 

Amp Up Your Writing With A Travel Mindset

Nashville_skyline_before_earth_hourI'm in Nashville this week, teaching a workshop called From Spark to Story, with my dear, wonderful friend Terry Price.  I used to come to Nashville at least twice a year, sometimes more often, in order to teach at the Writer's Loft, (now called Write. ) But lately the orientations have fallen at the same time that I'm in France, for my Let's Go Write workshops.  So, um, much as I love Nashville, I chose France.

Wherever I decide to go, I love to travel, and it informs and inspires my writing.  (The idea for my just-about-to-be-submitted-to-publishers novel, The Bonne Chance Bakery, was inspired by one of my trips to France.)  I believe travel opens up my brain to all kinds of new ideas and inspirations that I wouldn't find any other way. However, it has come to my attention that some people really don't like to travel.  They much prefer to stay home.  

I get this.  I really do.  After all, to travel is to catapult yourself into the great unknown.  There's the hassle of airplane travel.  And a hotel or motel that might be iffy at best.  Maybe landing somewhere you don't know the language.  You may will say something wrong.  You'll feel like people are laughing at you. The food will be strange, and God only knows what is actually in that dish of stew. 

In other words, it's scary out there, people!  

But if you are the sort who likes to stay at home but you still want to jazz up your writing, I have a few suggestions on how you can apply a travel mindset to your writing.  

 1.  Seek discomfort.  This is the number one reason people don't travel.  Because, as mentioned above, you will have moments of extreme discomfort.  Plain and simple.  In 2013, the first year I traveled to Europe alone, I was terrified.  When last I'd been to Paris, waiters sneered at my feeble attempts to speak French and everyone was rude.  But once I realized that what I was really afraid of was discomfort, my whole attitude changed (and I actually have found the French to be lovely).  So, quit being so damned self-protective and catapult yourself out of your comfort zone.  Since I don't know what your particular comfort zone is, I can't offer any recommendations.  But you know.  I know you do.

2.  Cultivate a different mindset.  Part of the reason travel is so fun is that your usual boundaries and filters are off.  While you might hesitate to talk to a stranger at home, when traveling you might be forced to ask directions of one.  You become fearless because you have to be. You walk long distances because you get stranded miles away from your hotel and you don't know how to hail a cab.  You stay up late because you're having so much fun.  You eat sweets when you usually don't allow yourself to touch them at home.  And so on.  You can just as easily do this at home, it's just that we forget this and get mired in our regular routine.

3.  Seek out new sights and sounds.  Pretend you're a tourist in your own town and go visit new places.  We've got a fabulous Chinese garden here in Portland, and I'm embarrassed to admit that until I attended a wedding there a couple years ago, I'd never been there.  So visit tourist traps. Take part in corny local festivities. Drive to a different part of town, park the car, and walk. Seek out a new coffee shop.  Go hear a band you've never heard of perform.  Sit in a different part of the sanctuary at church.  Even the smallest change can give you a new viewpoint.

4.  Try different food.  Part of the fun of travel is sampling different foods. Food is a portal to sensory stimulation and sensory stimulation is a portal to inspiration.  Bear in mind, much of my recent overseas travel has been to France, where "different" means chocolate croissants for breakfast, Croque Monsieurs for lunch, and macarons for dessert.  Um, yeah.  But, as noted earlier, eating macarons in Ceret, France inspired a whole novel for me.  And I still recall the lamb dinner I ate at a small cafe on the Boulevard Montparnasse, after walking miles and miles on a sore knee. (The wine was damn good, also.) Surely your town has some wonderful restaurants that feature different cuisines.  Try them out!

5. Take your journal and go sit somewhere and write.  (This works especially well if you tend to stay tied to your desk at home, as I do.)  Record what is going on around you.  Write a description of the barista with purple hair.  Describe the dialogue you can hear at the table next door.  Hell, be really brave and strike up a conversation with the people at the table next door.  One of my fondest memories of being in Paris last year was all the people my husband and I met at bus stops, in our hotel lobby,  and on the street–people from Montreal, from Australia, from London, from all over!  There's no reason you can't do the same without leaving home.

6.  Change up your habits.  This is, in many ways, the easiest way to encourage a travel mindset., because most habits involve relatively small things.  But in some ways, it is the hardest, too. Because even though habits are small, they are deeply ingrained.  Here are a few modest suggestions: Drive a different way to work. Take a shower at night instead of in the morning. (Or don't shower at all!)  Go grocery shopping at 7 AM in the morning.  Drink tea instead of coffee.  Drink beer instead of tea. Drive through McDonald's for a burger instead of eating dinner at that luscious 5 star restaurant. Stay up late! Rise early!  You get the idea.

The point of all this is, of course, to shake up your brain and get some new synopses firing, which in turn should get those words flowing onto the page.

As always, I'd love to hear from you.  Do you like to travel?  Does it inspire your writing?

Wednesday Again

Plane_random_australia_56977_hIt's Wednesday again, in case you hadn't noticed.  And this is the day I devote to a personal post not related to writing.  Or the day I try to devote to a post not related to writing.  It seems like somehow or another everything links back to writing for me.  But anyway….

At this very moment I am sitting in the Portland airport, waiting for a flight to Burbank.  I'm going to Pasadena to visit my friend Mary-Suzanne.  She and I met many years ago at a Creativity Camp put on by Julia Cameron, and have been good friends ever since.  I'm going to stay with her for a week, hang out, eat the wonderful food Suzanne makes, work on my novel, and see my friend Diana.  Also, I shall bask in the 80 degree heat!

I was calculating earlier, and this is my fifth trip this year.  It's my second to southern California (the first in May for my nephew's graduation from law school and wedding).  I've also been to Kansas City twice, and to France for three weeks.  It's really not a lot of travel by many people's standards, but also more than a lot of people do.  

So, I thought it would be fun to do a list of things I like and don't like about travel.  I was going to do things I like and don't like about L.A. but changed my mind because the "don't like" list would be so much longer than the "like" list.

Things I Like

1.  Meeting people.  When we were in Paris in September, we met people from all over the world. These were brief but fun encounters that ended up being memorable nonetheless.  Who knew how many people came to France from Australia?

2.  Getting a new perspective.  This is especially good for writers.  Travel helps you see things in a different way just because your brain expands to encompass all the new stuff it is absorbing.  Or at least that's my theory.

3.  Being present.  When one travels, particularly in a foreign country, you have to stay present and alert.  In France, I'm always straining to understand what people are saying or figure out how to get somewhere.  Once I'm back home, I get complacent and fall into the old routines.

4.  Place inspires me.  I wrote my MFA critical thesis on landscape as character for goodness sake. Certain places inspire my writing and find their way into my novels.  My hometown of Portland is always a setting, and L.A. seems to appear a lot also.  Sun Valley and Santa Fe are perennial favorites. And yes, Paris is an important location in my next novel.

5.  Discomfort.  Let's face it, we are pampered.  And travel puts you into situations that cant you out of your comfort zone.  This is a good thing, as it stretches you.  (And yet, I think it is also the reason that many people do not like to travel.)

Things I don't like:

1.  Airplane travel.  Enough said.  Those long flights from the West Coast to Paris are killer.  But I did discover the joy of watching a million movies on my last long flight home.

2. Jet lag.  Anybody figured out how to mitigate this?  I tried melatonin with no results.  But this year I didn't suffer too bad on the way. I was not able to sleep, and so by the time I got to Pezenas it had been 24 hours and I'd been on a plane and a plane and a train with maybe three hours of sleep here and there.  I was so tired I fell right out.  But for some reason coming back home was brutal.  Felt like it took me forever to recover.

3.  Window seats.  Yes, I like the view, too.  But I also like to drink tons of water on plane flights so that I won't get a headache.  And that means several trips to the bathroom.

4.  Car sickness.  Ask my sister, when I was little I was famous for throwing up on car trips.  None of my sisters or cousins wanted to sit next to me for fear I would vomit on them.  I still have a hard time sitting in the back seat of a car, though I have discovered the wonders of Sea Bands that seem to mitigate most car sickness problems.

That's it!  That's all I've got.  What about you?  Do you like to travel or prefer to stay home?

Because I know you care desperately, here's the first Wednesday post from last week.  (I'm looking for a name for these posts.  Ideas?)

Come to France With Me in 2015

Just saying right off the top here–this is a teaser post.

Because you want to come to my next writing retreat in France, don't you?  You know you do!  We don't have every detail confirmed yet but we have decided where we will be.  Ready?

Collioure, France. Coll800

It is a seaside town with mountain views, and also the twisty, curvy medieval streets I love so much in part of it.  Tons to explore in the town itself, and many wonderful things to see nearby. Collioure is in the Languedoc-Roussilon region of France, and I can personally attest to the wonderfulness of their wines.  It is near the border with Spain (you could take the train from Barcelona if you so desired), in the south of France.

So, yes, that's the location.  But let's not forget that this will be a writing retreat/workshop.  I've had some questions about how this works, so here is the scoop:  Every morning (Sunday-Friday), we meet from 9:30 to 12:30 for the workshop.  This time is devoted to mini-lectures from Debbie and myself, and discussion about the designated subject (an aspect of writing).  We assign a book in common for all to read, from which we draw examples. There's in-class writing and every day, we give an assignment, which will then be discussed in-depth the next day.  (For an example of this year's schedule, click here.)

But we're not all work and no play.  Huh-uh.  Yes, you will have assignments to work on, but there will also be plenty of time to explore the town and a field trip or two to other locales.  And we have been known to enjoy the local wines, um, quite a bit, when we reconvene in the evening for talk and food and drink.

There's also the option for staying on for a second (non-writing) week.

Stay tuned.  Debbie and I are meeting next week to work on the schedule, and we'll have that posted as soon as we can.  We've got quite a long list of people who have expressed interest in the workshop this year, so drop me a line if you want to nab a space!

Soaking It In

As you may have noticed, things have been a bit quiet around here.  I've been in France, as some readers know.  France, people! Two weeks in the south and several days in Paris. 

And I have been soaking it all in.

So much so that my brain feels ready to explode and I can't wait to get on the plane and have time to write.  (But given a choice, I'd stay here longer in a hot second.)

To back up a bit:

The first couple of weeks in September, I wrote a lot. I took a class about fast drafting, and managed to write 80 pages on a brand-new project before I got on the plane for Europe.

The third week in September, I was in Pezenas, co-leading a writing workshop.  And, since all the participants were writing every day, I wrote, too.

Then my husband arrived in Pezenas.  And a group of us stayed on a second week.

There was no writing.  Instead, there were adventures.  Like a trip to Sete, where we rode a boat in the canals and harbor and got drenched in a rainstorm.  (None of us even had coats on.) A visit to St. Guilhem-de-desert to see the old houses built up a ravine and the Cloisters.  A journey to the beautiful and lively city of Montpelier.  And lots of time spent wandering the town of Pezenas, which has an historic core that is fun to get lost in (and get lost you will, the streets are very curvy and narrow).  And now, of course, Paris.  Just, Paris.

About mid-way through the first week I bought a journal.  (Buying paper goods is one of my favorite things to do here.) And I wrote in it a few times in the morning.   I thought for sure I would write delicate, important words about Paris in it once we got here.  But I haven't.

And for once, I'm not worried about it.

Because I am filled up with the sights and sounds of my time here.  And the flavors, let us not forget the flavors: macarons from Laduree, foie gras with fig jam in a small cafe in Pezenas, leg of lamb at a cafe on Boulevard Montparnasse after walking all day.  And the wine! Vin rouge, from theLanquedoc, the best wine in the world.

It really doesn't get any better than this.  Even if you're not writing.

So here are my recommendations for going with it and just letting it soak in:

1. Take insect repellent.  Les moustiques Francaise love me.  I was covered with bites the first two weeks, and they would suddenly activate in the middle of the night and start itching.  Once I bought insect repellent, my sleep improved dramatically.  The moral of the story? Be prepared.  I think being prepared in writing is related to soaking it in.  Being a sponge for every sensual experience is preparing yourself to disgorge words on the page.

2. Try.  I speak French haltingly.  But I find if I at least attempt a few words in French, people laugh and talk to me in English.  It is nice to try, though.  Same thing with writing.  Try putting some words down on paper.  When you're blocked, just try it and see what happens.

3.  Be willing to be uncomfortable.  I've written about this before, but on my table it is way too complicated to find the link.  Part of the experience of travel is a willingness to be embarrassed because you did something wrong in a different culture.  To get lost.  To have to walk 2 miles because you missed the bus.  To be uncomfortable.  And is this not also the essence of writing?

4. Have fun.  Every time something goes a different way than we anticipated, my husband and I look at each other and say, "Who cares? We are in Paris!" And then we soak in some more of wherever we find ourselves.  If you're not having fun with your writing, you might want to consider another career.

5. Use the toilet wherever you find one.  This is excellent travel advice.  Alas, I find I cannot relate it back to writing.  Maybe you can. 

As is so often the case with writing, I find that now I am to the end of this post I finally get what the true theme is.  And that is what I said in #4.  One should always live life, and approach writing, with the idea that wherever you find yourself is the most wonderful place on the planet to be.

Bon jour.  I promise that next week I'll be back to normal on my blogging.  In the meantime, what's up with you?  How's the writing going? Please report in the comments.

 (Alas, posting photos is too complex at the moment and I only have one day left in Paris so I am off to explore.  If you want to see some images from my trip, follow me on Instagram.

 

Writing in France (Or Anywhere)

Bon jour.

I am in Pezenas, France, down near Montpelier and Beziers (where we stayed Friday night and had an experience on the free bus trying to find our hotel that still makes me laugh out loud every time I think of it).  We–six of us–are staying in a house that could more accurately be called a mansion, with three floors and a grand marble entry on the inside, and a koi pond and swimming pool with a swag of oleander dripping above it on the outside.

Every morning at 9:30 we meet to workshop attendee's stories and discuss our book in common (Me Before You, by Jojo Moyes).  Our subject this year is character, so everything is viewed through that lens.

And every afternoon we write.  (I got in five pages yesterday).  Then at 5:30 we meet for wine, olives, pate, cheese, and bread–lots of bread.  (Paleo people just have to put aside their thing about carbs.  Besides, the wheat is better here.  And so is the butter.  And the eggs.  I'll stop now.)

In between, when the writing is done, there are walks into town (curvy streets barely wide enough for cars, restaurants tucked into every alley, shops and art galleries and lots of people smoking) or into the country side (vinyards and big old stone houses).

But notice I said, when the writing is done.

Because that's the point of being here, after all.  And it is surprisingly easy to get writing done, even in paradise, when you've got a whole houseful of people doing the same thing.

Between this experience and the Book in a Month class I took before I left (which entailed writing 20 pages a day for 14 days, thus finishing a draft, and then rewriting it the last two weeks of the month)I've come up with new knowledge of how to get words on the page and, as always, I am here to impart this wisdom to you.

Are you ready?  It's a multi-part process, so it is imperative that you pay close attention to the very end.  Here we go.

1.  Write

2. Write some more

3. Take no longer than one minute to ring your hands about how bad the writing is and then get back to it.

4. Write more

5. Notice you are writing utter crap and charge ahead anyway

6. Write, write, write

7. Finish your goal of pages or words for the day and breath a sigh of relief because you did it.

So, yeah, I'm being a bit tongue in cheek here (ya think?) but the gist of it is true.  I'm come to realize that we (myself included) make the act of writing way too complicated and emotional, when really, it all boils down to one thing: getting words on the page.

It doesn't matter how good or bad those words are, your only job is to throw them at the page.  To sit your butt down in the chair and write.  Because the wonderful thing about writing is that it can always be revised–and revision is ever so much easier when you actually have word on the page to work with.

What about you?  How is your writing going? What tricks do you use to get yourself to the page?