Weekly Writing Quote

I’m going to California for a wedding, so here’s the quote of the week a day early:

"Stories are for joining the past to the future.  Stories are for those late hours in the night when you can’t remember how you got from where you were to where you are.  Stories are for eternity, when memory is erased, when there is nothing to remember except the story."

Does that give you chills or what?  I’ve had it pinned up on my bulletin board for ages and unfortunately I don’t have the attribution.  Maybe Ellen Gilchrist.  I’ll do some research when I return home on Monday and see if I can figure it out.

Writing All The Time

I write all the time.  I mean, I really, really do.

I just wrote a single-spaced 50 page report in 4 days.  Its the second single-spaced 50 page report I’ve done in that time frame, and let me tell you it is a haul to get it done.  But I did it–and some extremely perverse part of me really enjoyed it.  Oh, and I got up every morning and worked on my novel every day except the last one when my computer decided it didn’t want to open files and I still had some unGodly number of pages left to write and I was panicking.

My halo is glowing, as my best friend’s mother, Claudine, would say.

I’ve been doing this copywriting for a couple months now, and I have spewed out an amazing number of words.  It makes me realize how much more we are capable of than we think.  When I wrote the first draft of my novel, Emma Jean’s Bad Behavior (coming soon to a bookstore near you, please God and goddess and whoever else may be in charge)I wrote it fast, 2,000 words a day.  And it came out with more of a unique voice than anything I’ve ever written.

So what’s the secret to writing fast and still maintaining quality work?  The secret is writing fast and not worrying about quality work–at least during the first draft.  The secret is to just do it.

Why that is so hard, I do not know.

Its really hard to turn the critic off and just type.  But that’s what you have to do to produce writing in volume.   In most cases, after you are done with the just typing, you’ll go back.  And go back again.  And yet again, to refine and rewrite and revise. 

But, the point is, if you allow yourself to write fast and get a draft on paper, you’ll have something to rewrite.  I think of it as raw treasure.  And if you don’t allow yourself to write fast and get it out, it will remain locked away deep inside you.  Nothing to be mined.

I think the key word in all of this is "allow."  We need to allow ourselves to let the words out.  To risk putting who we are on paper for all the world to see.  To believe that what we have to say is worthwhile.  To quit worrying about the "good opinions of others," as Abraham Maslow says. 

It is toxic as a writer to worry that people will think we are good–either good writers or good human beings.  One of my students wrote that she was worried about an essay she was writing because she was afraid her husband may not end up looking very good in it.   I told her she could always change his name in the finished piece,  but she could not worry about his good opinion.  Anyway, he should have thought about his behavior at the time it was making him look bad.

And by the way, anyone married to or in anyway related to a writer should just always be on their best behavior, because, well, you never know when we might choose to write about you.

Just sayin’.

Elliott Bay Books

Just got back from an overnight trip to Seattle and spent an hour at Elliott Bay Books this afternoon.

I love this bookstore.  It’s got amber-colored worn wood floors, all these intriguing different levels reached by ramps and wood staircases, and, of course, books. 

One of the best things about the bookstore is all the different recommendation shelves the store has.  You could spend an hour browsing those alone. 

I saw a bunch of books I wanted.  Chief among them is Barbara Kingsolver’s new book about eating locally, the name of which escapes me but its something clever.  I have hinted BROADLY and LOUDLY that I want this for a Mother’s Day gift, so I’m hoping.

Lately Barbara Kingsolver irks me because she can get just the wee-est bit patronizing and holier-than-thou, but I am very interested in this subject so I’m willing to give her another chance.  (For the record, Animal Dreams is on my top ten books of all time, but nothing she’s written since has captured me in quite that way.)

(Okay, its not good to be lazy, I looked the title up.  It’s called Animal, Vegetable, Miracle.  Tres clever.)

Paul Hawken has a new book out about the environmental movement called Blessed Unrest.  That one is definitely on my to-read list.  I’m currently reading two books on global warming, one called Field Notes From A Catastrophe by Elizabeth Kohlbert, which started as a series in the New Yorker, always a good recommendation; and Feeling the Heat, Dispataches From the Frontlines of Climate Change, which is a collection of articles from reporters who went all over the world.  Both are excellent.

Can you tell I’m getting just the tiniest bit obsessed with global warming?

I saw tons of novels I would like to read, Lionel Shriver’s latest, which I have on hold at the library (me and half the population of Portland), a new one from Margaret Drabble and a couple others which escape me.  Walter Mosley has a new book out on writing novels, which I almost bought but put aside in favor of a book on blogging called Dispatche from Blogistan, by Suzanne Stefanac.

Thought it was interesting that the store was relatively uncrowded.  Here in PDX, Powell’s, the biggest bookstore on the planet, is generally so crowded its hard to walk through the main rooms on a Saturday.  But maybe the nice weather in Seattle had an impact.

P.S. Please note the lack of links to Amazon in this post.  Somehow, it just didn’t seem right to fill this post with links when I’m writing about Elliott Bay.

P.S.S.  Congratulations to Roy and Leslie Burkhead on the birth of their second child and first daughter, Eryn, born this morning in Tennessee. 

P.S.S.S. The reason for the trip to Seattle was to see the Cornish College of Arts BFA show –of which the beloved Justin L’amie was the star.  I’m not prejudiced or anything, even if the kid did spend half of his time growing up, and a year in full time residence, at my house.  Nope, not prejudiced at all.  He’s brilliant, that’s all there is to it.

Planet of Unwritten Novels

A new idea for a novel is forming in my brain.

I have to be very, very careful with it.  I’ve still got a draft and a half of the current novel to finish, so I can’t do anything with this new idea yet.  And, one thing I’ve learned is that I can’t even pay too much attention to it.

That might sound odd, but I’ve overplanned novels and ruined them before.  Gotten enthusiastic about an idea, and been afraid I would forget it if I didn’t write it down.  Then I start planning, and writing down ideas for scenes and characeters and I get all enthusiastic and then when the time comes to actually write it, the air has gone out of it.

Which is why I have numerous stories that now reside on the Planet of Unwritten Novels.  It is a planet without enough oxygen to sustain life, all the air having been sucked away by premature enthusiasm. (Not to be confused with premature ejaculation, there’s another planet for that.)

I’ve long  since learned not to talk about ideas or stories for novels–that’s a sure way to dissipate the energy.  But I’m also learning that I need to be judicious about how involved I get in the note-taking and planning. 

Best to just tease it along–give it enough attention to keep it happy, without overdoing it, sort of like the way men sometimes treat women. 

Alice Sebold, Writing, and the Unconscious

Writing is living; living is writing.

I am one of those people who is so identified with my calling that I can’t seperate myself from it.  I see analogies to writing and the writing process in everything.  Apparently the same is true with Alice Sebold.

Catching up on my magazine reading at lunchtime today (magazines are far superior to read with a meal than books, but that’s a topic for another day) I was finishing up the latest issue of O today.

There’s a nice collection of articles on faith and The Leap, as in The Leap of Faith. Alice Sebold equates taking leaps of faith to getting up very, very early and writing.   

She talks about how once the rest of the world wakes up she can feel its pull on her and away she goes from her writing.  Yet,

"The work I leave behind in my study is unfinished and unknowable almost every day.  Characters come alive and die in an instant, metaphors wobble, and sentences shift meaning without my fully understanding how.  After all, conscious thought is the death of creativity and to have faith in one’s unconscious is the ultimate need of a writer–at least this one.  Dreams go unfinished while we sleep but can be completed upon waking if we both have faith and are willing to do the grueling work of follow-through."

I really needed to be reminded of this, which is no doubt why it struck me so.  I’ve been getting up every morning at 5:30 to work on my novel, but every morning this week my computer has had issues waking up (I’m pretty sure computers age like dogs, and mine, at two years old, is now entering recalcitrant teenhood.) 

Then, of course, if I don’t get my AM writing session in, the world comes along and clobbers me with a million other to-dos. 

Tomorrow.  For sure.

Writing Quote of the Week (A Few Days Late)

The mega-article on global warming ruined me for any other writing (or any other thing, like thinking) during the time I was completing it, but here’s my quote offering, by My Favorite Writer In The World, Ellen Gilchrist :

"I am doing the best I can to teach them but there is really very little to teach about writing.  All I can do is edit their work to make the writing more beautiful and seductive, and tell them over and over again the few, simple strategies I know.  I learned most of them from a book by Ernest Hemingwaythat I assign to students every semester.  It is called On Writing…..It was in that book that I learned to quit each day while I still knew what to write next.  I learned to be satisfied by four pages of good, well-written prose and then go out and live my real life and be fresh when I come back to the piece the next morning…"

Ellen Gilchrist, The Writing Life.  (And, for the record, I’ve been off living my real life for a few days.  Though in truth, I don’t think there is a real life apart from writing.)

Only Tangentially Related to Writing Post

I’m working on an assignment about global warming. 

As my sister would say, Geezus. 

This is scary stuff.  I’ve already been reduced to running around the house turning off lights and asking my son to show me how to change the air filter in the car (changing it monthly can save 800 pounds of carbon dioxide from spewing into the air a year.  And it that doesn’t convince you, maybe this will:  it will also save you $130 a year in cold, hard cash.)

I said this post was only tangentially related to writing, but in a way that’s not true.

Global warming is related to everything.  Because if we don’t deal with it now, everything is going to get pretty miserable in the next 50 years.

Now excuse me while I go turn out some more lights.

PS.  Tomorrow I’m going to start a list of links to some great organizations with tons of information on global warming.  It’ll be worth your while to check them out.

Review: Between, Georgia

Just finished reading Between, Georgia by Joshilyn Jackson.  I liked it.  Don’t throw fried green tomatoes at me, but sometimes the whole quirky southern fiction thing wears a wee bit thin. (Stop it! Stop pelting me!  I went to school in the south!  I teach down there!) This book had quirkiness galore but the main character, Nonny, had a satisfying character arc with a lot of emotional change over the course of the book.

There were some problems with structure up front.  A lot, lota backstory told in exposition to get out of the way.  And one scene that had the potential to be highly dramatic was told entirely in exposition.  This puzzled me because Joshilyn Jackson is a master at writing scenes. 

A couple of her scenes are like set pieces–amazing gems.  The opening scene, in which Nonny’s birth is retold, and the second scene, in which a grown-up Nonny has sex with her soon-to-be-ex husband are both brilliant.

Bottom line is that its a good story.  Nobody but me and other writers are as picky about craft issues.  Sometimes I long for the days when I could just read–instead of read reading, the way I do now.