If there’s one thing I know about writing, it’s that not all techniques work for every writer. Not only that, but what works for one writer one time may not work the next time. The system you use to write your novel the first time out just doesn’t fit the next time out. The way you wrote your article, following a template you thought you’d always use, suddenly doesn’t work. Or any of a million variations on those themes.
And yet, if you’re anything like me, you might keep trying to do things the old, tried and true way. Because it worked once, so why shouldn’t it work again? (Because the muse is a mysterious and fickle creature, that’s why, but we forget this.) And you may also be as resistant to change as I am. But recently I’ve had an experience that is earth-shattering in its importance.
Ready for it?
I’m no longer exclusively writing my novel chronologically.
Let’s back up a bit. I’ve called myself a plotter (one who plans ahead) for years, but I’ve come to realize that I’m really more of a pantser (a writer who flies by the seat of her pants). I like a loose outline so I have an idea where I’m going, but if I get too technical, I’ll get bored. Be that as it may, I’ve been a strict chronological writer with every novel I’ve written. I tell myself it’s because one scene has to flow naturally from another. I need to know what’s come before so I can figure out what to write in the future. Right?
But two classes I’ve taken are changing that. The first class I took last spring, and it was called Write Better Faster by R.L.Syme (highly recommended). The class takes the approach that we are all different (duh) so accordingly, different writing processes will work differently for each of us. I learned a lot from that class but my two biggest takeaways are that A. I am an external processor (which is why I like to talk out loud to myself) and B. I learn and create from the middle. Pantsers, unite! I really am one of you! And I can finally say goodbye to slavishly trying to fit my scenes into a precise order dictated by some structure expert who has probably never written a novel in his life.
Class #2 I’m in the middle of, and it is called the Devoted Writer, taught by Cynthia Morris. Cynthia emphasizes fun things like free writing (set a timer, and write without stopping) and mind mapping (a right-brained style of outlining), both of which I’ve used to varying degrees of success. But, I’m telling you, I have now drunk the Kool-aid big time. I’m a convert. I’m using mind mapping and free writing for everything I write, including this newsletter.
As I was working on my novel the other day, an idea for a new scene popped into my head. I duly made notes about it, as I do, but the feeling I needed to work on it would not go away. “But it’s not in order,” I cried. “Tough,” I answered back. “Do it anyway.” And so, I did. You might have felt the thunder rumbling and the earth shaking, so big a departure this was for me. It feels very freeing, and also a little scary. Lighting out for new territory!
So I’m starting to take a look at all the ways I do things, and try to keep myself open to new techniques and styles. And, by the way, doing the free writing is fast becoming a foundational practice for me. It feels like a way to keep me connected to myself and my writing in 15 simple minutes a day. And make no mistake about it, most of what I write in my free writes is crap, plain and simple. It’s the process that is so mind blowing and illuminating.
So please do tell—have you made any changes in the way you approach your writing lately? Leave a comment and tell me. I’d love to hear about it. I’m open to more new ideas!